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A basic introduction to Aztec mythology

This article is intended to serve as a primer to some of the basic ideas of Aztec mythology. I’ve appended a brief bibliography at the end, should you be interested in finding out more. 

The Aztecs, one of the most well-known people of Mesoamerica, were in fact relative newcomers to the Valley of Mexico: the founding of Tenochtitlan, their capital city, took place in 1345, barely two centuries before Hernan Cortés and his conquistadores toppled an empire at the height of its powers.

The place of man within the universe in Aztec theology

Nothing reflects better the Aztec idea of human worth than the very word “man.” In the Aztec language, men are macehualli, “the deserving ones”. Why “deserving”?

To understand the reason for this, it’s necessary to go back a little and envision the history of creation as the Aztecs saw it. Much like the Greeks and the Hindus, they believed that the current world was only the most recent creation. It had been preceded by four other worlds (or Suns, or Ages). A natural disaster had ended each Sun, and killed the races of men that lived on earth (the second Sun, for instance, was ended by a hurricane, and the human race was transformed into monkeys).

After the four first Suns had been destroyed, the gods gathered in Teotihuacan to make a new sun. But when it was created it stood still in the sky and would not move, and the world remained cold and lifeless. The gods then sacrificed themselves so that the sun, feeding on their blood, finally started its journey across the Heavens.

Man is thus a privileged being: in order for him to exist, the gods gave their lives. He is also faced with a tremendous responsibility: since the gods are dead and therefore unable to offer more blood, it behoves him to make the sacrifices necessary for the continuation of the world.

The gods are dead, but not entirely gone. They remain in control of most of the natural forces, such as the rain, the wind, the waters. They can grant their favours in exchange for the proper sacrifices. But they cannot do the one thing the universe needs above all else—they cannot offer blood, “the precious water, the precious flower”. Without the offering of blood, the sun will surely stop, and the world tear itself apart.

Aztec Gods: a quick introduction

The sun-god Tonatiuh, merged with the Aztec tribal god Huitzilpochtli, was the supreme deity of the Aztecs, the one who gave life and warmth to the world. He had the greatest temple in the Sacred Precinct of Tenochtitlan, and it is to him that all the Aztec conquests were dedicated.

Of equal importance (and sharing the Templo Mayor with Huitzilpochtli) was Tlaloc, the god of rain, who bestowed harvests and abundance, or withheld them according to his mood. He lived in a great palace in the verdant land of Tlalocan, and was helped by four hundred subordinates, the tlaloques, who brought the different kinds of rain to the Valley of Mexico. Tlaloc has his equivalent in Chac, the Mayan rain-god.

Two gods who also played a great part in Aztec society, and can introduce another central concept of Aztec religion were the Feathered Serpent Quetzalcoatl and his arch-enemy Smoking Mirror, Tezcatlipoca.

Quetzalcoatl was the legendary king of the Toltecs and his worship was probably imported into Aztec religion. The Toltecs had established the last great empire in the Valley of Mexico, and the Aztecs believed that under Quetzalcoatl’s rule the Toltecs had enjoyed great prosperity, perfecting all the arts from painting to featherwork. Quetzalcoatl was one of the least bloodthirsty gods, demanding nothing but offerings of butterflies and flowers. Human sacrifice was abolished during his rule.

Tezcatlipoca was Quetzalcoatl’s opposite: he was the god of sorcerers and black magic, and delighted in challenging travellers at night-time. Angered by the Toltecs’ lack of proper offerings, he set about to bring Quetzalcoatl’s downfall. Disguising himself as a sorcerer, he brought about the ruin of the Toltecs by driving away Quetzalcoatl.

The interesting fact is not so much that those two were enemies, since antithetic gods are often found in other mythologies (Osiris/Seth in Ancient Egypt, for instance), but that the Aztecs considered those two gods part of the same aspect. They were not separate, but rather two incompatible parts of the same personality. This idea of complementarity permeates the whole Aztec mythology, and indeed the whole language—most Aztec expressions are difrasismos, a combination of two images that only makes sense when taken as a whole ("water and hill” for a town, “flower and song” for poetry). The supreme culmination of this is the Duality (Ometeotl); though they receive no worship and remained at best nebulous concepts, they are embodied in most of the Aztec pairings: Quetzalcoatl/Tezcatlipoca (peace/war, white magic/black magic), Huitzilpochtli/Tlaloc (warriors/peasants, sun/rain, fire/water...).

Aztec sacrifices

The most common type of sacrifice is also the most famous—the sacrifice victim was arched over a stone altar by four priests (one for each limb). A fifth priest used an obsidian knife to open up the chest and retrieve the heart, which was then placed into a special vessel. Other forms included the gladiatorial sacrifice, where a captive warrior armed with wooden weapons fought other men until he fell under their assault; and the sacrifice of the ipixtla or god-impersonator—a person selected to be the incarnation of the god on earth was sacrificed after an elaborate pageant. Among those last, the most well-known was the Feast of Toxcatl, which involved the sacrifice of Tezcatlipoca’s impersonator. Sacrifice victims could be Aztecs, or other inhabitants of the Valley of Mexico, caught as prisoners of war. They could be men, women or children, though the first were by far the most common.

It’s important to place this notion of sacrifice in its proper context, in order to avoid misunderstanding the Aztecs. First, this was not a uniquely Aztec preoccupation. Most populations within the Valley of Mexico and indeed within Latin America (such as the Mayas and the Incas), were equally obsessed with offering human lives.
Those sacrifices were viewed as necessary, and particularly so for the Aztecs. For if the Sun and the earth were not fed, then the earth would tear itself apart, and everything would collapse into endless darkness. What seems to us like cruelty (the numerous sacrifices as well as the sometimes gruesome manner in which they were offered) was in fact simple necessity. It’s interesting to note that the Aztecs did not have recourse to torture, and that they were genuinely shocked at the way their Spanish conquerors lavishly used it to obtain information.

Aztec magic

The most important magic was that of shed blood, the one substance which guaranteed the survival of the world. Other magical items included those tied to a god or an emperor (the regalia of Emperor Ahuizotl was kept carefully in the treasury, and bestowed on a warrior during the Spanish Conquest, as a last attempt to turn the tide of battle). A final, odd category of magical items were body-parts—eating certain parts of a warrior’s body would confer courage, and the hair and fingers of women who had died in childbirth were thought to protect warriors in battle. These women, who had died bringing a life into the world and who would eventually become goddesses, were considered to straddle the boundary between the mortal world and the Heavens.

Divination was practised by calendar priests, whether it was to give a newborn child his name and horoscope, or to determine a favourable day for a wedding or a journey. The Aztecs, like most Mesoamericans, carefully observed the heavens and the positions of the stars, and deduced omens that would apply to everyday life. Of particular importance was Venus, who as the Morning Star was the incarnation of Quetzalcoatl. 

Other forms of magic were those practised by doctors, essentially for purposes of healing: according to one’s day of birth (which determined a set of patron deities), there would be a different healing ritual.

The Aztecs set a great store by the day of birth: days in the 260-day religious calendar were held to be favourable, neutral, or ill-omened, and every day also carried a particular destiny. Favourable days included One Snake, which promised success and prosperity, Seven Flower, which saw the birth of painters, scribes and weaving-women.

At the other end of the scale were the days such as One Rain or One Wind: anyone born on such a day was doomed to become a sorcerer, a practitioner of black magic. Their powers would range from being able to change into animals to casting spells to paralyse an entire household--but would never be used for good. Such sorcerers were also responsible for casting illnesses and killing people in mysterious ways.

Further reading:

The Flayed God: The Mesoamerican Mythological Tradition, by Roberta H. Markman and Peter T. Markman, HarperSanFrancisco, 1992
In the Language of Kings: An Anthology of Mesoamerican Literature, Pre-Columbian to the Present, by Miguel Leon Portilla and Earl Shorris, Norton, 2001
Daily Life of the Aztecs, by Jacques Soustelle, Phoenix Press, 2002
http://www.azteccalendar.com

 

Aliette de Bodard

ALIETTE DE BODARD’s short fiction credits include Aztec mysteries ("Obsidian Shards”, published in Writers of the Future XXIII) and other stories inspired by Mesoamerican culture. Her short stories have appeared or are forthcoming in Realms of Fantasy, Interzone and Orson Scott Card’s Intergalactic Medicine Show. Visit her website or her blog for more information.


7 comments so far.

1. Sheila Finch on 15th September 2008 at 3:22 pm

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Interesting material, Aliette! Thanks for posting it.

2. Aliette de Bodard on 16th September 2008 at 12:05 pm

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Glad you enjoyed it, Sheila! Thanks for stopping by.

3. Karen on 17th September 2008 at 3:20 pm

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Good stuff, facts that read like poetry.  Thanks.

4. AMLau on 17th September 2008 at 10:50 pm

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Fascinating! This may just make it into my current WIP!

5. Aliette de Bodard on 18th September 2008 at 11:09 am

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Thanks, Karen and Amy! (and Amy: do put some of it in your WIP. The world always needs more Aztec culture smile )

6. Sara Genge on 24th January 2009 at 9:13 am

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Lovely stuff, Aliette. Thanks for putting it together. I didn’t know half of this.

7. Aliette de Bodard on 24th January 2009 at 11:31 am

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Thanks, Sara!
No problem--it was just a matter of taking what I knew and putting it in coherent form smile

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.