The Nebula Awards

APRIL 2009 Los Angeles, U.S.A.

Nominees and Winners

View past nominees and winners of the Nebula Award.

Novels

Virtual library of Nebula and Norton novels at Shelfari.

Pictures

View images from the 2007 Nebula Awards Ceremony.

Links

A list of links to other sites & blogs of interest.

Superheroes

One of the pleasures of being an active SFWA member is being able to nominate worthy stuff for Nebula awards. I’m about to exercise that right and nominate the The Boy-Band Superfan Interrogation episode of ABC’s new series, The Middleman. I think it might make a nice change from the usual roster of Doctor Who, Torchwood, and Star Trek episodes. And it’s an example of one of my favorite speculative fic subgenres: superhero fiction.

I’ve loved superhero fiction ever since being awoken to its possibilities by the writings of Alan Moore, whose writing for a number of different series all explored what the possibilities of a superhuman creature in a world of far more fragile beings were:
Swamp Thing, whose fantastic denizens ranged from Etrigan the Rhyming Demon to the Parliament of Trees (a congregation of ancient elementals who had lived the same story over and over again) blew my mind with its possibilities. Moore kicked that door a little further off the hinges with the introduction of Miracleman in which ordinary human Mike Moran learned what it meant to have an alternate existence as the perfect, supremely powerful being, Miracleman.
Finally, Moore produced the intricately layered collection of documents and graphics that was Watchmen.

In the decades after Watchmen, graphic novels took off and examples of superhero fiction began to appear, with a flurry of them in the past decade. The genre is one capable of producing stories that are complex, riveting, and which interrogate human circumstances. Among my favorites are:
Michael Bishop’s Count Geiger’s Blues,
Jennifer Estep’s Karma Girl,
Minister Faust’s From the Notebooks of Dr. Brain,
Austin Grossman’s Soon I Will be Invincible,
Jonathan Lethem’s The Fortress of Solitude,
James Maxey’s Nobody Gets the Girl,
Tim Pratt’s The Strange Adventures of Rangergirl,
John Ridley’s Those Who Walk in Darkness and What Fire Cannot Burn,
and Superpowers by David Schwartz.

Sometimes they take place in a world where superpowers are the norm, such as Karma Girl, Nobody Gets the Girl, and Soon I will be Invincible. Karma Girl (and its sequel, HOT MAMA) are charming chick-lit - Karma Girl’s protagonist devotes herself to unmasking superheroes after surprising her fiancee in bed with another woman and realizing that the guilty pair are also secret superhero and arch-nemesis. Nobody Gets the Girl is both action story and romance and Soon I Will be Invincible alternates between supervillain and super-hero voice that showcases the celebration of comic book culture that many of these novels features. The Strange Adventures of Rangergirl features an artist who ends up in the world of her drawings and must save it from primal evil. From the Notebooks of Dr. Brain (which really is one of my favorite novels of all time) is the very best of these, featuring the case files of a therapist counseling a dysfunctional superhero group highly reminiscent of the Justice League.

In other superhero novels, the characters must turn to comic books for knowledge of their situation. Super Powers combines superheroes, conspiracy theories, and the events of 9/11 when five Madison college students find themselves imbued with invisibility, flight, telepathy, super-strength, and superspeed. The reluctant hero of Count Geiger’s Blues, critic Xavier Thaxton’s illness forces him to expose himself to the pop-est of pop culture, including the comic books that inspire his actions.

Superhero novels lend themselves inordinately well to adventure novels. Those Who Walk in Darkness and What Fire Cannot Burn are prime examples of such books, featuring cops trying to take down super-powered mutants. The group project, Shadow Unit, written by Elizabeth Bear, Emma Bull, Sarah Monette, and Will Shetterly, is another example of the possibilities of a few supervillains or mutants to an X-Files flavored fiction.

Superhero fiction appeals on several different levels. For one, it allows spec fic to do one of the things it does best: literalize the metaphor. A man whose secret identity physically attacks him, a woman whose temper causes her to burst into flame, a relationship imperiled by one partner’s telepathic manipulation of the other—all of these possibilities and more are presented. And on another level, it is possible to utterly geek out with superhero fiction, to go nuts invoking the rich history of comic books or creating convoluted supervillain names. Superheroes are fun; they’re the stuff of lasers and giant robots and sorcerer supremes and full out gonzo neatness.

The episode of The Middle Man I’m nominating is a shining example of that niftiness: the dialog is quick and sharp and funny and the show is never afraid to poke fun at itself or to devote time to setting up an excuse to call a warp-hole a “duck-sucker”. I’m pulling for it, and hoping to see other examples of superhero fiction on the ballot in the coming year.

 

Cat Rambo

John Barth described CAT RAMBO’s writings as “works of urban mythopoeia”—her stories take place in a universe where chickens aid the lovelorn, Death is just another face on the train, and Bigfoot gives interviews to the media on a daily basis. She has worked as a programmer-writer for Microsoft and a Tarot card reader, professions which, she claims, both involve a certain combination of technical knowledge and willingness to go with the flow. In 2005 she attended the Clarion West Writers’ Workshop and is a member of the Codex Writers’ Group. Among the places in which her stories have appeared are ASIMOV’S, WEIRD TALES, CLARKESWORLD, and STRANGE HORIZONS, and her work has consistently garnered mentions and appearances in year’s best of anthologies.

She is the co-editor of critically-acclaimed Fantasy Magazine.


Leave a comment:

Please enter the word you see in the image below:


Remember my personal information

Notify me of follow-up comments?

All Guest Blogs

You can view all guest blogs here.

RSS Feed

Email Updates

You can also subscribe to receive new guest blog posts via email.

Little Brother by Cory Doctorow

Marcus, a.k.a “w1n5t0n,” is only seventeen years old, but he figures he already knows how the system works–and how to work the system. Smart, fast, and wise to the ways of the networked world, he has no trouble outwitting his high school’s intrusive but clumsy surveillance systems. But his whole world changes when he and his friends find themselves caught in the aftermath of a major terrorist attack on San Francisco. In the wrong place at the wrong time, Marcus and his crew are apprehended by the Department of Homeland Security and whisked away to a secret prison where they’re mercilessly interrogated for days. When the DHS finally releases them, Marcus discovers that his city has become a police state where every citizen is treated like a potential terrorist. He knows that no one will believe his story, which leaves him only one option: to take down the DHS himself.

About the Author

Cory Doctorow (craphound.com) is a science fiction novelist, blogger and technology activist. He is the co-editor of the popular weblog Boing Boing (boingboing.net), and a contributor to Wired, Popular Science, Make, the New York Times, and many other newspapers, magazines and websites. He was formerly Director of European Affairs for the Electronic Frontier Foundation (eff.org), a non-profit civil liberties group that defends freedom in technology law, policy, standards and treaties. In 2007, he served as the Fulbright Chair at the Annenberg Center for Public Diplomacy at the University of Southern California.

Powers by Ursula K. Le Guin

In the third entry in Ursula K. Le Guin's widely acclaimed Annals of the Western Shore saga (GIFTS and VOICES), Gav, a young slave, finds that he has amazing powers of recollection: he can remember a page of text after seeing it only once, and sometimes, he can even "remember" things that haven't happened yet. Gav's world is turned brutally upside-down when his sister is killed by a member of the household he has been taught to trust, and, blinded by sorrow, he runs away from the only world he has ever known, embarking on a journey of transformation and discovery.

About the Author

Ursula K. Le Guin writes both poetry and prose, and in various modes including realistic fiction, science fiction, fantasy, young children's books, books for young adults, screenplays, essays, verbal texts for musicians, and voicetexts. She has published seven books of poetry, twenty-two novels, over a hundred short stories (collected in eleven volumes), four collections of essays, twelve books for children, and four volumes of translation. Few American writers have done work of such high quality in so many forms. Most of Le Guin's major titles have remained continuously in print, some for over forty years. Her best known fantasy works, the six Books of Earthsea, have sold millions of copies in America and England, and have been translated into sixteen languages. Her first major work of science fiction, The Left Hand of Darkness, is considered epoch-making in the field for its radical investigation of gender roles and its moral and literary complexity. Her novels The Dispossessed and Always Coming Home redefine the scope and style of utopian fiction, while the realistic stories of a small Oregon beach town in Searoad show her permanent sympathy with the ordinary griefs of ordinary people. Among her books for children, the Catwings series has become a particular favorite. Her version of Lao Tzu's Tao Te Ching, a translation she worked on for forty years, has received high praise. Three of Le Guin's books have been finalists for the American Book Award and the Pulitzer Prize, and among the many honors her writing has received are a National Book Award, five Hugo Awards, five Nebula Awards, SFWA's Grand Master, the Kafka Award, a Pushcart Prize, the Howard Vursell Award of the American Academy of Arts and Letters, the L.A. Times Robert Kirsch Award, the PEN/Malamud Award, the Margaret A. Edwards Award, etc.

Cauldron by Jack McDevitt

The year is 2255. The academy that trained the starfarers is long gone and veteran star pilot Priscilla "Hutch" Hutchins spends her retirement supporting fund-raising efforts for The Prometheus Foundation, a privately funded organization devoted to deep space exploration. But when a young physicist unveils an efficient star drive capable of reaching the core of the galaxy, Hutch finds herself back in the deepest reaches of space, and on the verge of discovering the origins of the deadly Omega clouds that continue to haunt her.

About the Author

Jack McDevitt is a former English teacher, naval officer, Philadelphia taxi driver, customs officer, and motivational trainer. With the nominations of Infinity Beach, Ancient Shores, “Time Travelers Never Die,” Moonfall, “Good Intentions” (cowritten with Stanley Schmidt), “Nothing Ever Happens in Rock City,” Chindi, Omega, and Polaris,, "Henry James, This One's for You," and Seeker, his work has been on the final Nebula ballot ten of the last eleven years.

Brasyl by Ian McDonald

Think Bladerunner in the tropics... Be seduced, amazed, and shocked by one of the world’s greatest and strangest nations. Past, present, and future Brazil, with all its color, passion, and shifting realities, come together in a novel that is part SF, part history, part mystery, and entirely enthralling.

About the Author

Ian McDonald's mother is Irish, Fatrher Scottish, was born in England but has lived for almost all of his forty something years in Northern Ireland, more speciafically, in that narrow strip of land along the southern edge of Belfast Lough. From that vantage he's seen the Troubles start and also, he hopes, end. His first story was sold in 1983 to short-lived but very glossy local SFF magazine Extro. He bought a guitar with the money. His first novel, Desolation Road came out in 1988 from Bantam Spectra, this year PYR republish it for the first time since then in the US. His most recent novel was the Hugo and Nebula nominated Brasyl, just out from PYR in the US and Gollancz in the UK is Cyberabad Days, a collexction of stories from teh future India of his 2006 novel River of Gods, including Hugo winning novelette The Djinn's Wife. In progress is a new novel, The Dervish House, set in near-future Turkey. In daylight hours he works for local animation company Flickerpix.

Making Money by Terry Pratchett

The Ankh-Morpork Post Office is running like . . . well, not at all like a government office. The mail is delivered promptly; meetings start and end on time; five out of six letters relegated to the Blind Letter Office ultimately wend their way to the correct addresses. Postmaster General Moist von Lipwig, former arch-swindler and confidence man, has exceeded all expectations—including his own. So it's somewhat disconcerting when Lord Vetinari summons Moist to the palace and asks, "Tell me, Mr. Lipwig, would you like to make some real money?" Vetinari isn't talking about wages, of course. He's referring, rather, to the Royal Mint of Ankh-Morpork, a venerable institution that haas run for centuries on the hereditary employment of the Men of the Sheds and their loyal outworkers, who do make money in their spare time. Unfortunately, it costs more than a penny to make a penny, so the whole process seems somewhat counterintuitive. Next door, at the Royal Bank, the Glooper, an "analogy machine," has scientifically established that one never has quite as much money at the end of the week as one thinks one should, and the bank's chairman, one elderly Topsy (née Turvy) Lavish, keeps two loaded crossbows at her desk. Oh, and the chief clerk is probably a vampire. But before Moist has time to fully consider Vetinari's question, fate answers it for him. Now he's not only making money, but enemies too; he's got to spring a prisoner from jail, break into his own bank vault, stop the new manager from licking his face, and, above all, find out where all the gold has gone—otherwise, his life in banking, while very exciting, is going to be really, really short. . . .

About the Author

Terry Pratchett sold his first story when he was thirteen, which earned him enough money to buy a second-hand typewriter. His first novel, a humorous fantasy entitled The Carpet People, appeared in 1971 from the publisher Colin Smythe. Terry worked for many years as a journalist and press officer, writing in his spare time and publishing a number of novels, including his first Discworld novel, The Color of Magic, in 1983. In 1987 he turned to writing full time, and has not looked back since. To date there are a total of 36 books in the Discworld series, of which four (so far) are written for children. The first of these, The Amazing Maurice and His Educated Rodents, won the Carnegie Medal. A non-Discworld book, Good Omens, his 1990 collaboration with Neil Gaiman, has been a longtime bestseller, and was reissued in hardcover by William Morrow in early 2006 (it is also available as a mass market paperback (Harper Torch, 2006) and trade paperback (Harper Paperbacks, 2006). Terry's latest book, Making Money, was published in September 2007 and was an instant New York Times and London Times bestseller. In 2008, Harper Children's will publish Terry's new standalone non-Discworld YA novel, Nation. Regarded as one of the most significant contemporary English-language satirists, Pratchett has won numerous literary awards, was named an Officer of the British Empire “for services to literature” in 1998, and has received four honorary doctorates from the Universities of Warwick, Portsmouth, Bath, and Bristol. His acclaimed novels have sold more than 45 million copies (give or take a few) and have been translated into 33 languages.

Superpowers by David J. Schwartz

Madison, Wisconsin: In the summer of 2001, five college juniors wake up with . . . not just a hangover, but superpowers. . . . Jack Robinson: Grew up on a farm, works in a chem lab, and brews his own beer. Age: 19. Superpower: SPEED. Caroline Bloom: Has a flair for fashion design and a mother who’s completely out of touch. Works as a waitress for a lunatic boss. Age: 20. Superpower: FLIGHT. Harriet Bishop: Studied violin, guitar, and piano . . . and was terrible at them all. Now writes about music for the campus paper. Age: 20. Superpower: ­INVISIBILITY. Mary Beth Layton: Is managing a 3.8, but feels like she’s working three times as hard as the people around her. Age: 20. Superpower: STRENGTH. Charlie Frost: Has an anxious way about him, and always looks like he’s on day 101 of his most recent haircut. Age: 20. Superpower: TELEPATHY. But how do you adjust to an extraordinary ability when you’re an ordinary person? What if you’re not ready for the responsibility that comes with great power? And how do you keep your head in a world that’s going mad?

About the Author

David J. Schwartz's short fiction has appeared in numerous markets, including the anthologies Paper Cities, The Best of Lady Churchill's Rosebud Wristlet, and Twenty Epics. He attended Odyssey in 1996 and has participated in workshops with the Semi-Omniscients, the Supersonics, and the Sycamore Hill Writing Workshop. He lives in St. Paul, Minnesota. You can visit his website at http://snurri.livejournal.com/.