The J. Lloyd Eaton Collection of SF, Fantasy, Horror, and Utopian Literature: A Brief Introduction
An introduction to the Eaton Collection and its history.
The Eaton Collection at the University of California, Riverside was born in 1969 with the acquisition by then-University Librarian Donald Wilson of the personal library of Dr. J. Lloyd Eaton, an Oakland, California physician and SF enthusiast.
Dr. Eaton’s lovingly-assembled collection consisted of about 7500 hardback editions of science fiction, fantasy, and horror from the late nineteenth century to 1955.
After Donald Wilson’s untimely death, development of the collection was stalled until 1980 when University Librarian Eleanor Montague, with the encouragement of Borgo Press publisher Michael Burgess, created the position of Eaton Curator.
For this position, Montague hired George Slusser, who held the position for more than twenty-five years.
Slusser worked closely with the Collection Development Division and the heads of Special Collections & Archives to build the collection, bringing its holdings in hardback and paperback books to well over 100,000 items. Foreign works of science fiction were added systematically, including works in Chinese, Czech, French, German, Hebrew, Japanese, Polish, Portuguese, Romanian, Russian, and Spanish.
During these same years, outstanding collections of fanzines were acquired, including those of famed collectors Terry Carr, Bruce Pelz, Fred Patten, and Rick Sneary, bringing the fanzine holdings to almost 200,000 items.
The collection has also moved in multimedia directions, acquiring movies, film scripts, illustrated narratives, and comic books.
It is the repository for manuscripts by prominent science fiction writers such as Richard Adams, Gregory Benford, David Brin, Michael Cassutt, Robert L. Forward, Anne McCaffrey, Lewis Shiner, James White, and Colin Wilson.
Today the Eaton collection is the major resource for research in science fiction, fantasy, horror, and utopian literature worldwide, visited by scholars from around the world.
Beginning with the 1517 edition of Thomas More’s Utopia, its range and wealth of material from early utopian fiction to science fiction film ephemera and comic books offer a formidable resource for anyone working in this area of modern culture.
The Eaton Collection is also a compendium of the history of the book and publishing for five centuries. All covers are kept intact, with original dust jackets.
Other noteworthy parts of the Collection include: 500 shooting scripts of science fiction films; a 3500-volume collection of proto- SF “Boy’s Books” of the Tom Swift variety; a collection of taped fan conventions from the Morris Dollens’ estate; a large collection of taped interviews with American, British, and French writers; reference materials on topics such as applied science, magic, witchcraft, UFOs, and Star Trek; and the largest holdings of critical materials on science fiction and fantasy in the United States. With the donation of the collection of Fred Patten, it became the largest repository in the United States of anime and manga.
This year was an especially momentous year in the history of Eaton, as UCR has recently hired a distinguished senior scholar in science fiction studies, Rob Latham.
As part of this position, Rob will serve as an informal liaison to the Eaton Collection--and he is already proving himself a major asset to Eaton. Indeed, one of Rob’s first actions was to establish a travel-to-collection fund for doctoral students.
Through Rob’s initiative, Science Fiction Studies has established the R.D. Mullen Research Fellowship, beginning in Fall 2009 and named in honor of the journal’s late founding editor. Rob is also playing a key role in the planning of the 2009 Eaton Conference, including hosting the first UCR Science Fiction Symposium entitled “The Histories of Science Fiction the day before the conference.
For more information on both the symposium and the 2009 conference entitled “Extraordinary Voyages: Verne and Beyond,” see http://eatonconference.ucr.edu/.
There are more exciting developments ahead for SF at UCR, which will have positive outcomes for the Eaton collection. Stephen Cullenberg, the Dean of the College of Humanities, Arts, and Social Sciences plans to hire two more scholars to build a concentration in SF studies. By 2010, UCR will be the first university in the United States to offer an advanced degree in Science Fiction and Technoculture Studies, augmenting the existing Ph.D. track in Science Fiction, Science, and Literature in the Department of Comparative Literature.
For more detailed information on the Eaton Collection see http://eaton-collection.ucr.edu/.
Melissa Conway holds a Ph.D. in Medieval Studies from Yale University, with an emphasis on Book Arts. Her former institutions include the Library of Congress (Rare Book and Special Collections Division), the Folger Shakespeare Library, and the Beinecke Rare Book and Manuscript Library at Yale University, where she worked as assistant to the Curator of pre-1600 Books and Manuscripts. Since 1991 she has served as a consultant to rare books and manuscript collections. With co-author Lisa Fagin Davis, she has completed a directory of 475 institutions in North America with medieval and Renaissance manuscripts in their holdings, available in press with the Bibliographical Society of America, New York, NY, and available at http://www.bibsocamer.org/BibSite/Conway-Davis/Pre-1600.Mss.Holdings.pdf. Since 2001, she has been Head of Special Collections & Archives at the University of California, Riverside.
2 comments so far.
Thank you for hosting Morris’s (Morris Dollens) collection at UCR. I was so relieved to find that images of so much of his work has been preserved.











1. Sheila Finch on 30th December 2008 at 5:38 pm
It truly is a wonderful collection, Melissa. And I’m very proud that my papers are collected in the Eaton!