The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

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Adam Rex Interview

Thanks for giving me the opportunity to conduct the interview. Let’s start with your recent books. What can you tell us about them? Will there be other Frankenstein books in the future?

Well, my most recent is Frankenstein Takes the Cake, which is sort of a follow-up to Frankenstein Makes a Sandwich, which came out two years ago.  Both are collections of rhyming stories about monsters and their problems.  Dracula has spinach in his teeth.  Frankenstein can’t borrow a cup of sugar without his neighbors chasing him off with torches.  That sort of thing.  The most recent book has several stories about the Frankenstein wedding, so it makes a nice wedding gift for the couple who has everything except a book of poems about monsters.
I think this will be my last Frankenstein book.  I don’t want to start repeating myself.
And I should mention my nominated book, of course, The True Meaning of Smekday.  Its sort of a Hope/Crosby road movie, but with spaceships and a flying car.  And the Crosby character is an eleven-year-old girl.  And the Hope character is an alien.

I love the Smekday video on your website. What made you decide to use a puppet show to promote the book? Do you get lots of feedback about it?

Lots of good feedback, especially from kids.  And I show during school visits as well, when possible.  I guess the puppet show worked as a concept for a couple reasons–first, I already had the puppets, sort of.  I make Sculpey models of characters I intend to draw and paint repeatedly, so I had a Boov (alien) model that lacked only arms to become a puppet.  The boy puppet from that video was another model I made for a different book.  And an educational puppet show, ostensibly made by the aliens for our enlightenment, seemed like just the sort of condescending format that might be chosen by a conquering culture who assumes itself to be inherently more sophisticated than the natives.

How did you get your start as an illustrator? What were some of the difficulties did you run into?

I started out illustrating for companies that published role-playing games and collectible card games.  I connected with the people at these companies by attending Comic-Con International in San Diego every year and showing work.  It was only after a number of years of doing this sort of work that I got my break into kids’ books.  I had to flesh out my portfolio with a lot of unpaid spec work to land my first kids’ book, as Magic Card art doesn’t cut a lot of ice with children’s publishers.

When did you know you wanted to be an illustrator? Similarly, did you always imagine you’d one day be a writer?

I didn’t know I wanted to be an illustrator until college, because I didn’t really know what one was.  I’d have to say I wanted to be an author before I wanted to be an illustrator for that reason.  I always wanted to be a visual artist of some kind, but like most people I’d never really thought about the fact that illustrators exist, and are needed, despite seeing hundreds of examples of illustration on a day-to-day basis.  Anyway, I was drawn to both writing and illustrating for the same reason–I like telling stories.

Why did you pick illustrated books as your medium? Have you thought of trying your hand at other stuff that combines text and art such as comics?

Sure, I love comics, which is why I slipped about ten pages of comics into Smekday.  I like that kind of hybrid, but I’m also waiting for the perfect story to come along that really begs to be told in the comics format. 
Otherwise, I consider there to be a pretty razor-thin distinction between the picture book format and the comics format, anyway.  It’s really just a question of layout.  I have a picture book called Pssst! which is really a painted, hardbound comic book.

After illustrating various books, at what point did you think that it’s time for you to write your own book as well or was that always the plan?

It was always the plan.  But the plan unfortunately required the logistical and financial backing of one or more large New York publishing concerns, and these tended to be a little more certain of my illustrations than my prose in the early days.

What are some of the difficulties in illustrating someone else’s book? The best perks?

Well, a lot of authors hate their illustrators, though I think for the most part I’ve avoided that conflict.  I think the best example I can give of the potential benefit of illustrating someone else’s text is, unfortunately, a book that I’ve finished but which hasn’t been released yet.  It has a lot of clever wordplay that required some equally clever visual tricks to go along with it, and I know I couldn’t have made it all myself.  If I’d written it, I imagine I’d have tailored the text to make my job as an illustrator easier, so I wouldn’t have had to push myself as hard.  And the book would not have been greater than the sum of its parts, as I believe it is.  But you’ll just have to take my word for it until next fall.

How about the advantage of illustrating your own book? Any downsides?

I can’t imagine having had anyone else illustrate my novel, The True Meaning of Smekday.  Perhaps because I think very visually, those characters were alive in my head for a couple years before I started doing any serious illustration.  I don’t know that would have been able to just give them over to another artist, with that other artist’s impressions based on the text.  I don’t know how other authors do it.
I can imagine doing it with a picture book manuscript, however.  I’d like to write something I don’t illustrate, if it means getting to work with an artist I admire.

What’s your art/writing process like? How long does it take you to work on a book?

I don’t know how to answer that.  I tell people who want to write that they need to find time to do it every day, but the truth is that I often don’t write for weeks at a time because of illustration obligations.  And vice versa.
Some picture book texts come like lightning, and you have a first draft in a day.  You’re still in for possibly weeks of revisions, especially if you have a good editor, but some of my books have come very quickly.  I have one I’ll be working on soon that I’ve been writing and rewriting for years.  And Smekday was such a book–one which I worked on for a few years between other things (or, frequently, instead of those other things).

Have you ever considered writing a book that’s solely prose?

I’m probably working on one right now.  It’ll be my second novel, and aimed more at teens and adults.  I expect it’ll be largely, if not entirely, illustration-free, if only to discourage younger readers from picking up a book that has more explicitly mature themes.

In your opinion, what is it about your books that draws the attention of kids?

I wish I knew.  Frankly, I try to make books that will appeal to me, and which I think will appeal to kids, and just assume that an audience will follow.  In Smekday I think what draws kids most is the humor.  I hope they’re also drawn in by the fact that I try never to talk down to them.  I want them to know that I respect them.

What are some of the challenges in writing/illustrating books for children specifically?

Mostly just the language.  I love a good ten-dollar word, but I know I’ll lose some of them if they have to reach too often for a dictionary.  But then, that’s generally true of adults as well.

Who are some of your favorite artists/writers?

In no real order: John Singer Sargent, James Jean, Maurice Sendak, Douglas Adams, Michael Chabon, George Saunders.  I’ve been digging Kelly Link lately.

What projects are you currently working on?

A second novel (this one for teens and adults), and illustrations for a couple picture books which will be out next year.

Adam Rex grew up in Phoenix, Arizona, the middle of three children.  He was neither the smart one (older brother) or the cute one (younger sister), but he was the one who could draw.  He took a lot of art classes as a kid, trying to learn to draw better, and started painting when he was 11.  And later in life he was drawn down to Tucson in order to hone his skills, get a BFA from the University of Arizona, and meet his physicist wife Marie (who is both the smart and cute one).
Adam and Marie have lived in Philadelphia since 2001, where Adam draws, paints, writes, spends too much time on the internet, and listens to public radio.  They have two cats, Little Nemo and Dr. Simon Dicker.  Adam is nearsighted, bad at all sports, learning to play the theremin, and usually in need of a shave.  He can carry a tune, if you don’t mind the tune getting dropped and stepped on occasionally.  He never remembers anyone’s name until he’s heard it at least three times.  He likes animals, spacemen, Mexican food, Ethiopian food, monsters, puppets, comic books, 19th century art, skeletons, bugs, and robots.
His first picture book, THE DIRTY COWBOY by Amy Timberlake, was published by FSG in 2003.  His picture book FRANKENSTEIN MAKES A SANDWICH, a collection of stories about monsters and their problems, was a New York Times Bestseller.  2007 saw the release of his latest picture book, PSSST!, a story about learning to say no when zoo animals ask too many favors, and of his first novel, THE TRUE MEANING OF SMEKDAY.  His newest is FRANKENSTEIN TAKES THE CAKE.
Garlic and crosses are useless against Adam.  Sunlight has been shown to be at least moderately effective.  A silver bullet does the trick.  Pretty much any bullet, really.

Charles Tan is a speculative fiction fan from the Philippines. He has lots of online doppelgangers, including a Singaporean politician and a Filipino basketball player, but people should be warned that the “real” Charles Tan is a bibliophile who stalks his favorite authors. His blog, Bibliophile Stalker is updated with daily content including book reviews, interviews, and essays. He is also a contributor for SFF Audio.


7 comments so far.

1. Mary Robinette Kowal on 16th December 2008 at 9:02 am

Picture of Mary Robinette Kowal

Many thanks for introducing me to Mr. Rex’s work. I’d been wondering what to get my niece for Christmas and now I know.

2. Charles Tan on 16th December 2008 at 2:50 pm

Picture of Charles Tan

You’re welcome!

3. Gaelen on 16th December 2008 at 3:00 pm

Picture of Gaelen

Wow, I’m *really* looking forward to that comic! Great interview, thanks.

4. jay k. on 16th December 2008 at 5:43 pm

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Great things with Mr. Rex...Great things…

5. Francis Vallejo on 17th December 2008 at 11:53 am

Picture of Francis Vallejo

Terrific interview!

6. Koldo Barroso on 17th December 2008 at 12:19 pm

Picture of Koldo Barroso

Thanks for this interview! I love Adam’s work and it was really interesting to know better about his work.

7. isaac marzioli on 18th December 2008 at 2:07 pm

Picture of isaac marzioli

Hey - great interview!  I’ve been a fan of Adam Rex’s art for a little while now and it’s nice to hear some of the behind the scenes stuff.

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.