Adam Rex Interview
Thanks for giving me the opportunity to conduct the interview. Let’s start with your recent books. What can you tell us about them? Will there be other Frankenstein books in the future?
Well, my most recent is Frankenstein Takes the Cake, which is sort of a follow-up to Frankenstein Makes a Sandwich
, which came out two years ago. Both are collections of rhyming stories about monsters and their problems. Dracula has spinach in his teeth. Frankenstein can’t borrow a cup of sugar without his neighbors chasing him off with torches. That sort of thing. The most recent book has several stories about the Frankenstein wedding, so it makes a nice wedding gift for the couple who has everything except a book of poems about monsters.
I think this will be my last Frankenstein book. I don’t want to start repeating myself.
And I should mention my nominated book, of course, The True Meaning of Smekday. Its sort of a Hope/Crosby road movie, but with spaceships and a flying car. And the Crosby character is an eleven-year-old girl. And the Hope character is an alien.
I love the Smekday video on your website. What made you decide to use a puppet show to promote the book? Do you get lots of feedback about it?
Lots of good feedback, especially from kids. And I show during school visits as well, when possible. I guess the puppet show worked as a concept for a couple reasons–first, I already had the puppets, sort of. I make Sculpey models of characters I intend to draw and paint repeatedly, so I had a Boov (alien) model that lacked only arms to become a puppet. The boy puppet from that video was another model I made for a different book. And an educational puppet show, ostensibly made by the aliens for our enlightenment, seemed like just the sort of condescending format that might be chosen by a conquering culture who assumes itself to be inherently more sophisticated than the natives.
How did you get your start as an illustrator? What were some of the difficulties did you run into?
I started out illustrating for companies that published role-playing games and collectible card games. I connected with the people at these companies by attending Comic-Con International in San Diego every year and showing work. It was only after a number of years of doing this sort of work that I got my break into kids’ books. I had to flesh out my portfolio with a lot of unpaid spec work to land my first kids’ book, as Magic Card art doesn’t cut a lot of ice with children’s publishers.
When did you know you wanted to be an illustrator? Similarly, did you always imagine you’d one day be a writer?
I didn’t know I wanted to be an illustrator until college, because I didn’t really know what one was. I’d have to say I wanted to be an author before I wanted to be an illustrator for that reason. I always wanted to be a visual artist of some kind, but like most people I’d never really thought about the fact that illustrators exist, and are needed, despite seeing hundreds of examples of illustration on a day-to-day basis. Anyway, I was drawn to both writing and illustrating for the same reason–I like telling stories.
Why did you pick illustrated books as your medium? Have you thought of trying your hand at other stuff that combines text and art such as comics?
Sure, I love comics, which is why I slipped about ten pages of comics into Smekday. I like that kind of hybrid, but I’m also waiting for the perfect story to come along that really begs to be told in the comics format.
Otherwise, I consider there to be a pretty razor-thin distinction between the picture book format and the comics format, anyway. It’s really just a question of layout. I have a picture book called Pssst! which is really a painted, hardbound comic book.
After illustrating various books, at what point did you think that it’s time for you to write your own book as well or was that always the plan?
It was always the plan. But the plan unfortunately required the logistical and financial backing of one or more large New York publishing concerns, and these tended to be a little more certain of my illustrations than my prose in the early days.
What are some of the difficulties in illustrating someone else’s book? The best perks?
Well, a lot of authors hate their illustrators, though I think for the most part I’ve avoided that conflict. I think the best example I can give of the potential benefit of illustrating someone else’s text is, unfortunately, a book that I’ve finished but which hasn’t been released yet. It has a lot of clever wordplay that required some equally clever visual tricks to go along with it, and I know I couldn’t have made it all myself. If I’d written it, I imagine I’d have tailored the text to make my job as an illustrator easier, so I wouldn’t have had to push myself as hard. And the book would not have been greater than the sum of its parts, as I believe it is. But you’ll just have to take my word for it until next fall.
How about the advantage of illustrating your own book? Any downsides?
I can’t imagine having had anyone else illustrate my novel, The True Meaning of Smekday. Perhaps because I think very visually, those characters were alive in my head for a couple years before I started doing any serious illustration. I don’t know that would have been able to just give them over to another artist, with that other artist’s impressions based on the text. I don’t know how other authors do it.
I can imagine doing it with a picture book manuscript, however. I’d like to write something I don’t illustrate, if it means getting to work with an artist I admire.
What’s your art/writing process like? How long does it take you to work on a book?
I don’t know how to answer that. I tell people who want to write that they need to find time to do it every day, but the truth is that I often don’t write for weeks at a time because of illustration obligations. And vice versa.
Some picture book texts come like lightning, and you have a first draft in a day. You’re still in for possibly weeks of revisions, especially if you have a good editor, but some of my books have come very quickly. I have one I’ll be working on soon that I’ve been writing and rewriting for years. And Smekday was such a book–one which I worked on for a few years between other things (or, frequently, instead of those other things).
Have you ever considered writing a book that’s solely prose?
I’m probably working on one right now. It’ll be my second novel, and aimed more at teens and adults. I expect it’ll be largely, if not entirely, illustration-free, if only to discourage younger readers from picking up a book that has more explicitly mature themes.
In your opinion, what is it about your books that draws the attention of kids?
I wish I knew. Frankly, I try to make books that will appeal to me, and which I think will appeal to kids, and just assume that an audience will follow. In Smekday I think what draws kids most is the humor. I hope they’re also drawn in by the fact that I try never to talk down to them. I want them to know that I respect them.
What are some of the challenges in writing/illustrating books for children specifically?
Mostly just the language. I love a good ten-dollar word, but I know I’ll lose some of them if they have to reach too often for a dictionary. But then, that’s generally true of adults as well.
Who are some of your favorite artists/writers?
In no real order: John Singer Sargent, James Jean, Maurice Sendak, Douglas Adams, Michael Chabon, George Saunders. I’ve been digging Kelly Link lately.
What projects are you currently working on?
A second novel (this one for teens and adults), and illustrations for a couple picture books which will be out next year.
Adam Rex grew up in Phoenix, Arizona, the middle of three children. He was neither the smart one (older brother) or the cute one (younger sister), but he was the one who could draw. He took a lot of art classes as a kid, trying to learn to draw better, and started painting when he was 11. And later in life he was drawn down to Tucson in order to hone his skills, get a BFA from the University of Arizona, and meet his physicist wife Marie (who is both the smart and cute one).
Adam and Marie have lived in Philadelphia since 2001, where Adam draws, paints, writes, spends too much time on the internet, and listens to public radio. They have two cats, Little Nemo and Dr. Simon Dicker. Adam is nearsighted, bad at all sports, learning to play the theremin, and usually in need of a shave. He can carry a tune, if you don’t mind the tune getting dropped and stepped on occasionally. He never remembers anyone’s name until he’s heard it at least three times. He likes animals, spacemen, Mexican food, Ethiopian food, monsters, puppets, comic books, 19th century art, skeletons, bugs, and robots.
His first picture book, THE DIRTY COWBOY by Amy Timberlake, was published by FSG in 2003. His picture book FRANKENSTEIN MAKES A SANDWICH, a collection of stories about monsters and their problems, was a New York Times Bestseller. 2007 saw the release of his latest picture book, PSSST!, a story about learning to say no when zoo animals ask too many favors, and of his first novel, THE TRUE MEANING OF SMEKDAY. His newest is FRANKENSTEIN TAKES THE CAKE.
Garlic and crosses are useless against Adam. Sunlight has been shown to be at least moderately effective. A silver bullet does the trick. Pretty much any bullet, really.
Charles Tan is a speculative fiction fan from the Philippines. He has lots of online doppelgangers, including a Singaporean politician and a Filipino basketball player, but people should be warned that the “real” Charles Tan is a bibliophile who stalks his favorite authors. His blog, Bibliophile Stalker is updated with daily content including book reviews, interviews, and essays. He is also a contributor for SFF Audio.
7 comments so far.
You’re welcome!
Wow, I’m *really* looking forward to that comic! Great interview, thanks.
Great things with Mr. Rex...Great things…
Terrific interview!
Thanks for this interview! I love Adam’s work and it was really interesting to know better about his work.
Hey - great interview! I’ve been a fan of Adam Rex’s art for a little while now and it’s nice to hear some of the behind the scenes stuff.




1. Mary Robinette Kowal on 16th December 2008 at 9:02 am
Many thanks for introducing me to Mr. Rex’s work. I’d been wondering what to get my niece for Christmas and now I know.