The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

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Catherine Asaro 2009 Interview

Catherine Asaro is nominated for novella “The Spacetime Pool.”

Thanks for agreeing to do the interview. What’s the appeal of science fiction for you?

From the time when I first learned to read, I’ve loved science fiction and fantasy; even before that, in fact, as soon as I was able to imagine stories in my mind.  That step outside of the mundane universe has always fascinated me.

I read and heard in an interview that you were hesitant to write fantasy at first. What made you eventually venture into fantasy territory?

I didn’t know if I could write fantasy well.  I enjoy it as much as science fiction, but for me it’s more difficult to do.  As a scientist, I find it easiest to write hard SF.  When I tried fantasy, I’d think of a scientific reason for the magic, and my stories would turn into science fiction.  Then Mary Theresa-Hussey offered me the chance to write for Luna Books when they were launching their fantasy line.  I had been mulling over some ideas, she liked them, and so it all happened.  And this time the magic stayed magic.  Though I must admit, it is mathematically based.  I really enjoy writing those books.

There’s usually an element of romance in your stories. Is this a conscious decision? Why does romance appeal to you?

No, it wasn’t conscious.  The stories didn’t feel complete to me without that relationship aspect.  I don’t know why; I’ve just always been that way.  Relationships and our emotional involvement with one another seems to me to be thoroughly tied up with story-telling.

How helpful is your scientific background when writing your books?

A lot.  The science and research comes easily to me.  And it’s fun.

Here’s an example: I came up with the idea for my novel The Quantum Rose when I was writing my Ph.D. thesis in chemical physics at Harvard.  My doctoral work used coupled channel quantum scattering theory to describe molecular behavior.  So the ideas of my thesis and the story wound all around each other.  At the time, it seemed obvious that the characters and their actions were analogs to the mathematics and processes of coupled channel quantum scattering theory.  Looking back, I’m not sure why all those analogies seemed so obvious.  But I had a blast writing about it.  That analogy remains one of my favorite aspects of my stories.

At what point did you consider yourself a professional author? What made you decide to pursue writing as a career?

It sometimes felt as if the writing pursued me.  I finished grad school, did my postdoctoral work, and became a physics professor, and the whole time the stories kept pulling at me.  I wanted to write more than teach. In the end, the stories won out.  At the time, I was a professor at Kenyon College, where science fiction author Joan Slonzczewski is a prof in the biology department.  We became friends, and she recommended me to David Hartwell, her editor.  That was the beginning.

What was the biggest challenge you had to overcome in your writing career?

Overcoming my shyness in talking to people and having my picture taken. It comes more easily to me now, but it didn’t when I first started.  For the most part,though, people have been very kind about it.

Is it easy for you transition from short stories (novellas, novelettes, etc.) to novels? Which format do you prefer?

I’m much more a novel writer.  That’s why most of my “short” works are novellas.  However, I’m learning to write shorter fiction, too.  I’ve a story in an upcoming Twilight Zone anthology that I think is one of my best.

When writing a story like “The Spacetime Pool,” what kind of preparations do you make? Did you envision the “science” aspect of it first or the characters or the plot?

I originally envisioned it as a book.  I started it years ago, then put it aside.  I was never sure what I wanted to do with the story.  The characters and math of this one evolved together.  That’s unusual for me; in most of my books, the characters come first and then the science/math.  But in this case, they developed in the same time-line.

I had originally called the Fourier Hall in the story the Hall of Arches.  But as I was describing that gorgeous hall, I realized the arches formed piecewise continuous functions, which you can model using Fourier series.  I used to give my physics students problems like that.  From there, the math ideas just flooded out.

I’ve included a picture of Moorish architecture showing arches similar to the type I envisioned in the story.  I’ve also attached a mathematical plot modeling the arches.  It’s not from a pure Fourier series; I used squared sine functions.  I only needed a few terms to get a figure that close to the arches; with a more complex series, I could introduce a lot more of the small details you see in the architecture.

The second plot is the Fourier transform of the arches, what Janelle did by hand in the story.  I used Maple, a math program that does a lot of the number crunching for you if you give it the equations you want to investigate.  Janelle has a lot more patience than I do, to plot that all by hand.  But then, she had a more compelling reason!

The story is up at the Analog site, for anyone who would like to see it.  The address is:

http://www.analogsf.com/nebulas09/TheSpacetimepool.shtml

I also put an illustrated version up on my Facebook page:  It’s given chapter by chapter in the “Notes” section:

http://www.facebook.com/pages/Catherine-Asaro/33623623207







There’s some hard science puzzles in “The Spacetime Pool,” such as the part where Janelle is imprisoned. What made you decide to include such scenes?

Oh, that’s easy to answer.  I coach math teams, including award winning students in the American Regional Math League, the USA Mathematical Olympiad, the USA Mathematical Talent Search, and for the younger students, MathCounts.  The problem Janelle had to solve in the one scene is a classic math puzzle of the type you see on MathCounts tests.  It’s not something most people would know off the top of their head, but these whiz students can zip through it moments.  I had them check my answer when I was writing the story.

For unfamiliar readers, could you tell us more about your Saga of the Skolian Empire and Lost Continent series? What would be a good book to start with?

The Skolian Empire books are space adventure about the Ruby Dynasty.  I started out basing the dynasty characters on the Greek pantheon from mythology, but it fast became clear that translating Greek gods and goddesses into a human dynasty made for a really dysfunctional family.  So I just let the stories evolve the way they felt right.

The Ruby Dynasty books aren’t a series in the usual sense, because most of them stand alone.  But they are all set in the same universe.  The most recent book, Diamond Star, is due out from Baen in May 2009.  It’s a good one to start with, because it doesn’t depend on the other books.

The Lost Continent Series is a collection of fantasy novels set in the same universe.  A good one to start with there would be The Night Bird.  I think it’s also one of my best.  And it has a gorgeous, sensuous cover.

What projects are you currently working on?

I recently finished a music CD, titled Diamond Star, that offers readers a soundtrack for my book. Diamond Star. The CD will be released by Starflight Music in April 2009.  The book tells the story of Del, a renegade prince who would rather be a rock singer than sit on the throne.  His family wants him to stop, his friends want to use him, his label wants to own him, and his enemies want to kill him. Del just wants to sing—without starting an interstellar war.

To write the story, I needed lyrics to his songs, and to write those, I needed music for at least some of them.  So I wrote words and a bit of music.  In 2007, I sent one song to Hayim Ani, the front man for the rock band Point Valid.  He “got it” right away, what I was trying to do.  He had a natural feel for the idea. We started working together, and it grew into a great collaboration with his band and all these gifted musicians they brought into the studio.

Point Valid is an alternative band with Hayim on vocals and guitar, Adam Leve on drums, and Max Vidaver on guitar. Our recording engineer and co-producer, Dave Nachodsky, played bass on most of the cuts.  The band wrote a lot of the music, with a few songs from me, and Hayim contributed three of his originals. It’s Point Valid’s second CD. Their first, Of Dreams and Memories, is available through CD Baby or iTunes. Songs from Diamond Star can be found at www.starflight-music.com.



(From left to right: Max Vidaver, Catherine Asaro, Hayim Ani, Adam Leve.  Photo: Stephen Baranovics.)

Point Valid is dispersed right now.  Hayim is in Israel to study for a couple of years and then serve in the military, and Max is at college in New York.  Adam will graduate high school this year, study in Israel, and then go to college.  But they’re all continuing their interest in music, and Hayim is writing the songs for another CD.

I learned to sing for the CD, doing backups and a ballad. I’ve always listened to music, and I trained in the piano from a young age, but I never sang.  With this project, I found out I enjoy it a lot.  I still have a long way to go, but I’m training at a music school and working with an accompanist, Donald Wolcott, an accomplished jazz pianist and rock musician.  We do gigs showcasing the Diamond Star Project in the Baltimore area and at SF cons.  I’m also learning covers by artists such as Nora Jones and Sade.

In October, I’ll be Guest of Honor at Necronomicon in Florida, and they’re bringing out Donald as a musical guest.  We’ll be collaborating with a band there, at Necronomicon and possibly at another convention.  It’s great fun!

I also joined the Central Maryland Chorale last year as a first soprano. Among the shows we’re doing this year, we’ll be performing Rutter’s Mass of the Children at Carnegie Hall.

So that’s what I’m working on.



Winner of the Nebula® Award for her novel, The Quantum Rose, Catherine emphasizes space adventure, world-building, and characterization in her fiction. Her latest SF novel is The Ruby Dice (Baen, April 2009), and her most recent fantasy is The Night Bird (Luna, June 2008).  Her upcoming book—Diamond Star (Baen, May 2009)—is about a rock star in the future.  It’s release is the culmination of another project; working together since 2007, she and the rock band Point Valid recorded a CD that offers readers a soundtrack to the book.  This month, Starflight Music released the CD, also titled Diamond Star.

Catherine’s short fiction has appeared in anthologies and Analog, including “Walk in Silence,” “A Roll of the Dice,” and “Aurora in Four Voices,” all of which won the Analog Readers Poll for best novella and were nominated for the Nebula® and Hugo. She has a doctorate from Harvard in Chemical Physics and has authored scientific papers in refereed journals. Her paper, “Complex Speeds and Special Relativity” in the The American Journal of Physics (April 1996) forms the basis for some of the science in her fiction. Among the places she has done research are the University of Toronto, Max Planck Institut für Astrophysik, and Harvard-Smithsonian Center for Astrophysics.  She was a physics professor until 1990, when she became a fulltime writer.

Catherine also coaches the Howard Area Homeschoolers and Chesapeake team in the American Regional Math League.  Her students have distinguished themselves in numerous national programs, including the USA Mathematical Olympiad, MathCounts, and the USA Mathematical Talent Search.  She served two terms as SFWA president and is a member of Sigma, a think tank that consults for the Department of Homeland Security.  Her husband, John Kendall Cannizzo, is a NASA astrophysicist, and they have one daughter, a ballet dancer who is currently a first-year student reading mathematics at Cambridge University in England.

Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. He is a regular contributor to sites like SFF Audio and Game Cryer. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.

1 comments so far.

1. Heather Massey on 03rd May 2009 at 6:24 pm

Picture of Heather Massey

Great interview!

ping-back:

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.