The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

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View past nominees and winners of the Nebula Award.

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A list of links to other sites & blogs of interest.

Gene Wolfe Interview

Tell me a little in brief about “Memorare” your Nebula nominated work. Why did you write it and what do you hope readers will take from it?

It seems to me that I hear some story ideas better than I see them.  In the southwest, particularly, memorials are erected at roadsides.  I grew up in Texas, and I could hear the prairie wind and smell the dust.  I was the lonely soul in the empty tomb, and I transferred the whole thing to space, the loneliest place (not) on earth.  I wanted readers to feel the isolation and lonely majesty of it.  I wanted them to realize, too, that God, the saints, and love can be found even there.

When you say that you hear stories better than you see them - could you clarify that a bit?

In a way I hear the characters talking, but not at the beginning.  At the beginning I hear the sounds of their voices: Severian’s deep, smooth, slightly melancholy tones; Master Gurloes’s hard, harsh, implacable vowels, his throat clearing and occasional spitting.  In An Evil Guest, Bill Reis’s voice, deep and slightly rough, often a loud whisper, persuasive and slightly sinister.  Or Cassie Casey’s enormous range: now cheerful and energetic, now the pleading of a small girl – the stubborn child, the aching sincerity.
What are more important are what might be called sound effects.  In Pirate Freedom the creaking of the timbers, the slap of the waves against the hull, the mewing of the gulls, the voices of the men on the topsail yard: “Dirty weather ...  dirty weather.” The dull boom of the sternchaser in the cabin under the quarterdeck, where Sabina shouts, “That’s the way, my braves!  Mas!  Mas!” while she twirls a slow-match.

The Commercial vs the Artistic in writing - is there a genuine difference between these two philosophies or are they artifical attributes? Are they in opposition, and if so, can they meet?

The difference seems to me very genuine.  The error is to think them antithetical.  The purely commercial writer writes for the editor.  The purely artistic writer writes for himself or herself.  I write for the reader.  As long as the editor buys it, I don’t much care what he thinks of it.  If it’s a good solid story, that’s enough for me.  But if the reader doesn’t like it, it’s a failure.

Insofar as you’re aware thereof, which themes and ideas dominate the writing of Gene Wolfe? What do you think readers take from your work they get nowhere else?

My great theme is memory.  I’m rarely aware of that as I write, but I realize it as I read.  Another theme is reality.  A good many writers are writing propaganda.  I don’t do that.  I know that not all politicians are crooked.  I know that some soldiers are brutal criminals, but also that most are not even close to that.  I have been accused of writing only good and bad women, but that is because those are the only kinds I’ve ever met.
There is nothing in my work that readers will find nowhere else, although I wish there were.  I try to serve good, honest writing.  I make the hot stuff hot and the cold stuff cold – or try to.  A great many other writers are doing the same thing.

Will you still be read in a 100 years? Does it matter? Should writers write for the present or the future?

Will I still be read in a hundred years?  I hope so.  Does it matter?  To me, yes – but I write for the present, not for the future.  Books written for the future are not likely to get there.  There are lonely men and lonely women in small towns all over the world.  I want them to read me, now, and feel a little better. 

The short story vs the novella vs the novel - what makes you decide to write an idea in one form over the other?

I don’t decide.  The idea tells me.  There are book ideas and short story ideas.  And novelette and novella ideas.  A short story can be padded out, and a novel cut down, but both are forced alterations to attain some preconceived length.  If I know I need a novella, I look around for a novella-length idea, or whatever.

Your wikipedia entry claims you might be related to Thomas Wolfe - truth or fiction?

Although I can’t prove it, I think it’s true.  We Wolfes came out of northwestern North Carolina about 1780 and settled in southeastern Ohio.  (My father took me to an old family graveyard out in the country once; the earliest stone we could find bore that date.) Thomas Wolfe was from Asheville.  That area is not thickly populated even now.  In 1900 – the year that both he and my father were born – it would have been very thinly peopled indeed.
In passing… I got a fan letter from that part of the state once, and wrote back to the fan saying that my family had left it toward the end of the Eighteenth Century.  He wrote, “I know all about it, and my family would like great-grandfather’s horse back.”

Speaking of respected - from praised to winning awards, does that have an effect? Does it add more pressure, a perceived standard of brilliance you’re expected to live up to?How do you handle the praise and the fame and the awards and still remain true to your writing, to yourself?

Of course I like to win.  It’s fun, and I enjoy it.  But it’s not important.

You’re known for creating unreliable narrators in your work - would you care to expound on the reasons why?

All real narrators are unreliable.  That is a great strength: it is realistic.  Another is that one can hint at things left hidden.  A third is that you can reveal in Chapter 19 something that was hidden in Chapter 9.  Please don’t ask for examples.

What is the story you’ve written you’re proudest of, and why?

By “story” I assume you mean a short story, novelette, or novella.  Something under novel length, in other words.  “Empires of Foliage and Flower,” perhaps, because it shows so plainly the brevity, tragedy, and comedy of life.  But if you don’t like that answer, I have others.  There are a good many stories that I’m very fond of.

How (if at all) has science fiction&fantasy evolved/ changed in the time that you’ve been working in the field? Does it still have value in the present milieu? Relevance to the future?

How has sf changed?  The giants are gone.  When I started writing, Heinlein, Asimov, Bradbury, and Clarke were all producing.  You have to have lived in both periods to understand what an enormous difference they made.  Fantasy has lost Tolkien and C.S. Lewis.  The Harry Potter books are good, but they are YA.  Neil Gaiman is our best fantasist and is giving us wonderful books and stories.  Another giant has arrived, which may be why fantasy feels so much healthier now.
Both science fiction and fantasy have value, for the present and for the future.  It’s important that they be there – and that they be good, and thus read by as many as possible.  The interesting point is that fantasy is very, very old and SF a stripling.  The oldest known fiction is fantasy, I believe.  The first great fantasy, GILGAMESH, comes to us from the dawn of civilization.  Fantasy assures us (quite truthfully) that the universe is inconceivably wide and wild.  Once I wrote a poem about a man who lived on an island whose population believed it to be the only place.  He walks around the island, and from a lonely beach sees another island.  Fantasy is that walk.  “Things could be different,” says fantasy.  “They could be very, very different just over that hill.  Have hope.”
SF assures (quite truthfully) that they will be.  “They may be better,” says SF, “or they may be worse.  But they will not be like this.”

Gene Wolfe

Gene Wolfe is a prolific and critically acclaimed author of The Book of the New Sun, An Evil Guest and The Knight. He was awarded the World Fantasy Award for Life Achievement in 1996. Michael Swanwick described him as the greatest writer in the English Language alive today.

 

DAVID DE BEER‘s short fiction has been published in or is forthcoming from venues such as Chizine, Alienskin and Courting Morpheus. He currently resides in Johannesburg, South Africa.

 

4 comments so far.

1. davenix on 01st January 2009 at 3:34 pm

Picture of davenix

I love that you removed my comments and I love that you do so with the weak logic that I am just being a troll. Are you always overly sensitive or just a no-nuts censor? What book was I refering to you ask? That awful Evil Guest that is up for the nebula award you douchnozzle, but of course you do know that.

If the LPH reference was lost on you, then you obviously didnt even bother reading the cover much less the awful book.

I look forward to this comment be removed.

Happy new year Big Brother...god forbid anyone post a critical opinion of something you praised only to get an interview.
-d

2. David de Beer on 01st January 2009 at 4:15 pm

Picture of David de Beer

Your comments weren’t removed, they were temporarily closed. Uncivil behavior gets that response. And yes, your behavior is definitely troll-like.
but this one I’ll leave because you continue to make such a monumentous arse of yourself.

This interview has nothing to do with Evil Guest.
This interview came about as a result of Gene Wolfe being on the Nebula nominee list for his shorter work, </i>Memorare</i>. The interview is about Gene Wolfe, the author—as all the interviews to date have been about the authors—not a specific book that offended your malfunctional excuse for a brain.
It says so in the very first question:

Tell me a little in brief about “Memorare” your Nebula nominated work.

which you would have known had you possessed the capacity to read.
if An Evil Guest is up for the Nebula award then you must be precognitive, since the Preliminary Ballot, never mind the Final Ballot, hasn’t even been announced yet. Further, the book was only released Sept 2008 and can therefore still be considered for the next Nebula but as of the last tally is not on the Preliminary Qualifiers:
http://www.nebulaawards.com/index.php/guest_blogs/nebula_report_preliminary_qualifiers_dec_08/

see that above link? it lists all the novels which have qualified for consideration for the Preliminary Ballot barring only the last month’s count. They are the Preliminary Qualifiers thus far. Once the final tally is done the Preliminary Ballot will be drawn, and from that ballot the Final Ballot will be drawn and THOSE are the works that will be up for a Nebula.

see any book called An Evil Guest there anywhere?

Happy new year Big Brother

aww, are we not going to be friends then? how about a hug? I’ll give you a free cookie!

3. Christian on 07th January 2009 at 5:07 pm

Picture of Christian

I’m very excited to have read this interview.  I’m looking forward to his upcoming works with great anticipation.  Good job on the interview: you addressed a couple points I’ve been wondering as well.  His modesty is an astounding qulity, he seems to want to spread the wealth and encourage everyone.

4. Michael on 06th January 2010 at 5:32 pm

Picture of Michael

I enjoyed the interview, but I wish there was more of it. I’m surprised and disappointed by the bad feelings in the comments, who needs them? Who needs to have them? I listened to a podcast interview with Gene Wolfe, it was good to hear his master’s voice (woof!), but again, the meat and potatoes were at the end, the last minute or so, when he says he has 10,000 final words. I wish the podcast had been entirely final words, but it depends what you’re looking for… Are there any other interviews/podcasts or books that explore Mr Wolfe’s thoughts on writing in greater depth?

cheers

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.