Gwyneth Jones 2009 Interview
Gwyneth Jones is nominated for her short story “The Tomb Wife”.
Hi! Thanks for agreeing to do the interview. First off, what’s the appeal of science fiction for you?
It’s a way of thinking: basically, I’m insatiably curious. What is sex for? What do scientific revolutions look like? Why do human societies develop the way they do? What would be the consequences of a change that seems desirable? Or undesirable? Reading and thinking about (or otherwise consuming and creating) science fiction seems to tell me more about the world around me than any other art form.
What are the goals that you think a writer is capable of achieving through their fiction? What are your goals when you write?
I think I’m with Joseph Haydn here. He said something like, composing music gave him immense pleasure, and the thought that his delight in music might also give pleasure and comfort to others, even if it was only sometimes, made him very happy.
What’s the experience of juggling two pen names like? What are the advantages/disadvantages to you personally?
I’m never conscious of juggling.
Which are you more comfortable with, writing for teens or for adults? Or are both forms natural for you and it’s only after you’ve written the story or novel that you decide which is a better fit for your audience?
Usually I know what I’m doing. I enjoy both forms equally, and it’s very clear to me that when I write as Ann Halam I’m writing for adolescents, not for children, nor for kidults (I mean the Harry Potter type adult audience). But sometimes the distinction slips. The book I’m writing at the moment is supposed to be an Ann Halam, but it’s more adult in theme and treatment than I’ve ever tackled as AH before.
How about the short story vs. the novel, which is easier to write for you? What’s the advantage of each format?
I wrote some “modern fairytales” long, long ago, but for most of my career I’ve felt more at home writing novels. I draft, draft and redraft, I research and ponder everything, and the net result can be that my short stories take almost as long to write as a novel. Lately I’ve been getting better at short stories, and learning to enjoy the game
You’ve written several novels over the past few decades. In your opinion, how has your writing today improved since the last novel you published? Is writing easier for you easier or more difficult?
The ideation in some of my early sf novels was fierce! I was trying to understand, and translate into fiction, some very big ideas, plus I had (still have, but I’ve tamed it a little) a passion for economy of expression. Every word a wanted word was my rule, not a single sentence that didn’t absolutely have to be there. It was intense and exhilarating, keeping that up over 100,000 words; and a knotty experience for the reader. Nowadays I write more easily, and I think my narratives have more space.
How does the critic in you affect your writing?
Well, it means I tend to know what’s going on. I’m aware of the wealth of other science fiction that’s gone into forming my own work, and I’m more aware of the bigger picture in the genre, at any given time, than the non-critic novelist.
Currently, who are the authors that impress you?
I’ve been enjoying Daniel Abraham’s Long Price Quartet. Anything by Kathleen Ann Goonan. Plus, recently I found an arty futuristic novel, kind of a thriller, called “The Art Of Murder”, Jose Carlos Somoza, translated from the Spanish, which blew me away. Somoza immediately became a star, for me.
Regarding your Nebula story, what was the inspiration for “The Tomb Wife?”
The story’s about a kind of interstellar travel, set on a kind of starship, and features an exotic alien character, but really the inspiration is rather personal. It’s about not wanting to go on, after a loss; not wanting to let go of a world that’s over. A mood that overtakes most people from time to time I suppose, as they grow older.
What projects are you currently working on?
A gothic novel by Ann Halam. A novella (I think!) set in the same milieu as The Tomb Wife; and as my recent UK novel, Spirit. A critical essay, a presentation on Murasaki Shikibu’s The Tale of Genji for Brighton Festival; and that’s about it.
Gwyneth Jones is a writer and critic of science fiction and fantasy, who also writes teenage fiction as “Ann Halam”. She lives in Brighton UK. Her latest novel is Spirit, Gollancz UK.
Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. He is a regular contributor to sites like SFF Audio and Game Cryer. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.



