The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

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Ingrid Law 2009 Interview

Ingrid Law is an Andre Norton Award finalist for her novel Savvy.

Thanks for agreeing to do the interview. Let’s first talk about your book, Savvy. How did you come up with the title (or more appropriately, what made you decide to use savvy as the term for each person’s special abilities)?

First, I wanted to write a book about magical children without ever using the word “magic.” Second, I wanted the magic I created to have a distinctly American feel . . . I wanted to know, if there were an “American Magic,” what might that look like? I chose to use the word “savvy” in lieu of “magic” because the word itself has its roots in American slang. In fact, it was used as a noun for more than a hundred years before it was ever used as an adjective. So I saw no harm in turning it back into a noun again. The original definition of the noun, savvy, was: a practical sense or intelligence. When I discovered this, it seemed like the perfect word to use for my book.

It’s interesting for me how your book is translated into other languages and the titles are different. What’s your favorite foreign language title and why?

I love the German title, Schimmer, just because I imagine it must sound nice when said aloud. In the Netherlands, they titled the book 13!, which is fun as well. Those are the two I know so far. I suppose that translating the title of the book must be a challenge. Titles in general can be rather tricky.

The novel has a rural feel to it. What made you decide to place it in such a setting, in addition to the incorporation of these tiny magical elements?

I wanted to set the story in small towns in a part of the country many people might not at first imagine magical children to live. But small towns have big heart and a love for larger than-life-things. You can often find the World’s Largest curiosities—the World’s Largest Porch Swing, the World’s Largest Ball of Twine, and so on—in the smallest of towns. Just because someone’s from a small town, that doesn’t mean that they don’t think big or possess extraordinary abilities. Some of the magical elements reflect rural or small town ideals. The grandmother in the book cans radio waves. When thinking up her ability, I asked myself what my grandmother was good at. I remembered jars of homemade jam and things canned straight from the garden. Then I asked myself what a “savvy” grandma might be good at and came up with Grandma Dollop’s jars filled with years of radio programs and songs.

Did you originally intend to write a YA book or is something that came out later on?

I’ve always known that I wanted to write for young readers, though I’ve been pleased to discover that the book has appealed to a wide audience. I’ve received email messages from six year olds and sixty-eight year olds, and just about everyone in between. But I love writing for young people because kids in the middle grades are still so totally tapped into their own sense of wonder. It’s still so natural to them to be able to suspend disbelief. Yet, they are also beginning to come into their own sense of who they are and who they will become. I like to think that the kids I write for have one foot firmly on the path toward growing up and the other foot hopping through make-believe games on the playground.

Any difficulties in the actual writing of Savvy?

Savvy came to me in a wonderful, exciting explosion of words and ideas. I had a lot of fun writing it and I learned a lot along the way. This particular story treated me very well. However, I tend to be a full-glass kind of person, so it’s easy for me to forget the parts of a thing that were difficult. I know I had a few hair-pulling moments along the way, but every story has to have some struggle or conflict to be good, right? Even our own?

How did Penguin end up publishing it?

My agent, Daniel Lazar, submitted the manuscript simultaneously to multiple publishers. Alisha Niehaus, my editor at Dial Books for Young Readers (a division of Penguin Young Readers Group), was one of the first to read the manuscript and express her enthusiasm. Her excitement was just one of the factors that won me over, but it was a big one. Another was the potential partnership with Walden Media. In the end, Penguin Young Readers Group and Walden Media acquired the rights to Savvy in a preemptive multi-book deal in July, 2007, in joint acquisition. So I have two amazing companies backing the book. Additionally, Walden Media secured the rights to develop Savvy into a feature film. It was a whirlwind right from the beginning . . . much like the first chapter of the book when the fictional Beaumont family has to move “to the deepest part of inland” because of the hurricane and the fact that one of the characters caused it.

What were the challenges in getting your first book published?

Savvy was not the first book I tried to get published, so I know the familiar feel of rejection. However, there is so much information available now for writers about how to write query letters, how to approach an agent, what to do, what NOT to do. By investing some time and energy into becoming educated about these things, when I did have a book that was ready to find a home, I already knew how to get started.

What is it about the fantasy genre that appeals to you?

I’ve always been a huge fan of fantasy. Fantasy allows us to explore aspects of conflict and humanity in all new ways, unfettered by the constraints of reality or of the every day. In many ways, learning to manage the onset of a “savvy,” dealing with new, out of control powers that arrive simultaneously with the thirteen candles on a birthday cake, is just a metaphor for dealing with the changes we experience as we grow up. But exploring this through fantasy allows young readers to come to these issues through the safety and fun of make-believe. Who doesn’t sometimes feel confused enough or angry enough to cause a storm? Who doesn’t struggle to weed the opinions and ideas of other people from their heads when trying to find their own true voice? Why not manifest these efforts as actual abilities? It’s a lot more fun that way . . .

How does it feel to have your book nominated for several awards?

I never expected it. I’m continuously stunned and completely thrilled. It’s an amazing honor to be nominated for awards alongside such talented people. And I do like shiny things . . . even if someone else gets them. It’s fun to get together to celebrate the fact that people still love creating story.

What projects are you currently working on?

I am working on a follow up to Savvy, exploring the family tree a bit more. Looking at new points of view. Discovering what else we can learn about ourselves through fantasy and magic. My next book should come out next year.


Ingrid Law is a big fan of words and stories, small towns and big ideas. Born in New York, Ingrid’s family moved to Colorado when she was six years old. Now the mother of a teenage daughter, Ingrid still lives in Colorado, where she is hard at work on her next book.








Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. He is a regular contributor to sites like SFF Audio and Game Cryer. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.

1 comments so far.

1. morgan on 10th November 2009 at 5:35 pm

Picture of morgan

hi my name is morgan and i love your book savvy i had a couple of questions for you and i was seeing if you can give me some answers.

can you give me some more info about the beamounts.and miss roseary pastor meeks will jr and bobbi.age,personalitys and background info.

and can you give me anyother info so i can get some background info.

thank you so very much.
morgan
can you get this to me soon as possible

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.