K.D. Wentworth 2009 Interview
K.D. Wentworth is nominated for her novelette “Kaleidoscope.”
Thanks for agreeing to do the interview. What’s the appeal of speculative fiction for you?
Ever since I was very small, I always wanted the world to be stranger than it really was. I had to be disabused of the notion of Santa Claus at a much later age than most children because I simply wouldn’t stop believing. Speculative fiction satisfies that itch for a wilder, stranger world.
At what point did you know you wanted to be a writer? What challenges did you have to overcome in order to do so?
I decided I wanted to be a writer when I was in the fourth grade and stuck with the notion, even writing two (very bad) Man from U.N.C.L.E. novels in high school, mostly designed to make my friends laugh. The main challenge for me (besides learning to type!) was learning to turn off the TV, the radio, the stereo, etc., close the door to my office and commit some real time to writing every day. I’m easily bored so it was hard to learn to be alone with my thoughts and the keyboard.
Is it easy for you transitioning between short stories and novels? Which do you prefer?
I love both so it’s easy for me to go back and forth. Sometimes I even work on my novel in the morning and work on a short story in the afternoon. Short stories are short term gratification. You can write them in a week or two and then send them out into the world to earn their bread. Novels are comfortable because you create these characters and worlds and then get to spend a really long time exploring and getting to know them.
How has the Writers of the Future contest affected you, both when you started out and in the present?
Writers of the Future was my first sale and the first indication that I’d ever received that I wasn’t wasting my time and that a career was possible. Winning gave me confidence, and then what I learned at the WOTF workshop gave me a head start.
How did being an elementary school teacher affected you as a writer?
It taught me a lot about human nature and it also taught me how to make good use of my time, since I had so little spare time! Also, the first few stories that I sold had child protagonists which can be traced back to the fact that I spent so much time with children.
What was the inspiration for “Kaleidoscope?”
The concept behind “Kaleidoscope” first came to me as a scribbled note in my writer’s notebook about someone having a “quantum memory.” Then an escaped dog named Sadie came running past my house when I was out working in my garden. I called to her and just for a moment we had two equally probable outcomes. Either she would come to me and I would save her life or she would ignore me and try to run across the six lane very busy street half a block away. Fortunately she came to me, but that dual moment stayed with me and I had the character for my story.
What were the challenges in writing that story?
The biggest challenge was how to collapse the wave so that Ally could go back to living a normal life. I do not plot my stories out in advance so it all has to weave together at the end.
For those unfamiliar with your work, could you tell us more about your novels?
I have seven in print. The first, The Imperium Game, is a humorous sf adventure/mystery taking place in the near future in an interactive residential game environment which recreates ancient Rome and has all the gods programmed into the computer. The gods keep manifesting and driving everyone crazy.
The second and third, Moonspeaker and House of Moons, take place on a long-ago human-colonized world where the gene pool has split into two groups, the psi-gifted Kashi and the normal Chierra. The Ilseri, aliens who share this world with them, come to the main character, Haemas, and teach her to walk the Pathways of When.
The fourth is This Fair Land, a Cherokee alternate history fantasy which takes place in a timeline where the Indians kicked Columbus out of the New World with their magic when he first appeared, then kept the White Man out for the next two hundred years. The main character is an Irish Catholic priest, Declan Connolly, who discovers to his horror that he has a talent for Indian magic.
The fifth and sixth were Black/on/Black and Stars/over/Stars, which deal with a fierce seven foot furred race called the hrinn. The main character is Heyoka Blackeagle, a hrinn kidnapped from his world as a toddler, sold as a slave, then rescued and brought up by a human on Earth. He feels human but longs to find his roots and in Black/on/Black finally travels to Anktan to find out how he came to leave. Once there, he encounters an unsuspected crisis with the Flek, an insectoid species engaged in a long term war with humanity.
The seventh is The Course of Empire, co-written with Eric Flint. Again it deals with aliens (my favorite subject), this time the Jao, a species uplifted into sentience, and their former masters, the insane Ekhat, who wish to scour the entire universe free of nonEkhat intelligence. When the book opens, it’s been twenty years since the Jao conquered Earth, but the humanity still resists its Jao masters where it can. Then a young Jao prince is assigned to Earth and is able to see the situation with fresh eyes.
Next March, The Crucible of Empire, co-written with Eric Flint and the direct sequel to The Course of Empire, will be published. It features the return of both the Jao and the Ekhat, along with a new species, the Lleix.
What kind of research did you have to do for them?
I did the most research for The Imperium Game (endless books on Roman culture) and This Fair Land (endless books on Cherokee culture and Georgia landforms), but I also did a fair bit of research on Arab, African, and Japanese culture when creating the hrinn. The latter was useful in helping me ferret out my assumptions and break free of a Western mindset.
What projects are you currently working on?
I just turned in a book so right now I’m writing a few short stories for invitation anthologies and dreaming up the background for a new stand alone novel series.
K.D. Wentworth lives in Tulsa with her husband, a combined one hundred eighty pounds of dog (Akita + Siberian Hussy) and writes full time since retiring from teaching elementary school six years ago. She has sold over seventy short stories and eight novels, with The Course of Empire (Baen Books) being the most recently published. Her next book, The Crucible of Empire, written with Eric Flint, will be out in March, 2010. “Kaleidoscope” is her fourth Nebula Nomination for short fiction.
Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. He is a regular contributor to sites like SFF Audio and Game Cryer. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.



