The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

Nominees and Winners

View past nominees and winners of the Nebula Award.

Novels

Virtual library of Nebula and Norton novels at Shelfari.

Pictures

View images from the 2007 Nebula Awards Ceremony.

Links

A list of links to other sites & blogs of interest.

Mary Turzillo Interview

Mary Turzillo received the Nebula for her novelette, Mars is No Place for Children, in 1999. In 2007, she was a nominee in the short fiction category for her story, Pride

First, congratulations on your Nebula nomination.  Could you tell us about when you got that news?

Geoff was sitting across the room with a cat and a laptop, and he said, “The final Nebula ballot is out.” And my story was there.  I felt very proud.  There’s a lot of me in that story, and a lot of Trumbull County, where I taught for years. 
My real surprises came when Lou Anders started e-mailing his authors links to our reviews.  I got my first Publisher’s Weekly review, and a positive one.  And others followed. 
Writers seldom know they’ve written something good until they hear public reaction.  At the 2000 Nebs, the applause as they announced each story was polite and enthusiastic, but the people at my table realized something different was about to happen when the applause for Mars is No Place for Children was appreciably louder and more enthusiastic. 
Anyway, with Pride after getting a lot of good reviews, I started to really believe in the story, and reading it at cons. I used to be part of an amateur Shakespeare company and I loved reading Pride, which starts out quirky and funny and ends with blood.  People said “You have to kill the tiger,” and I said, no, this is about two colliding value systems: human justice versus nature.  Human life was already lost but that sacrifice could have transcendent meaning.  Audiences really responded.  People came back to hear it for a second and third time.
There’s a podcast of Pride, read by the amazing Paul Cole of WRFR of Rockland Maine. 
It was a great year for science fiction, and a strong field. Lots of good stuff didn’t make the final ballot. 

What were the most memorable moments for you during the Nebula Award weekend?

You mean aside from that heart-stopping moment when the name “Karen Joy Fowler” rang out instead of mine?
Uh.  Well, meeting Michael Chabon.  I always act like an idiot when I meet a celebrity, so I stupidly blathered how much I love his books (which was true), but then discovered I’d blocked on the titles of all of them, including The Yiddish Policemen’s Union.
The Dell magazine breakfast.  Brilliant people all holding forth, both editors and writers. 
Having a cool dress.
Walks Geoff and I took.  Salt Lick Barbecue with Scott Edelman and Connie Willis. Austin is a great city.

This is your second nomination (and we wish second win).  Any difference how you took the nomination news between the two?

I was more nervous this time.  The first time it never occurred to me that I had a chance.  This time I panicked.  Lost five pounds between the final ballot announcement and the evening of the ceremony.  Gained it all back, alas.
This was an “always the bridesmaid” year for me.  I made the preliminary Stoker ballot with Your Cat & Other Space Aliens, but didn’t make the final.  I lost the Nebula race.  I was up for the Cleveland Arts Prize, an award won by giants such as George Szell and Toni Morrison.  I had two poems on the Rhysling ballot. Your Cat & Other Space Aliens was nominated for a Pushcart.  I’m nominated for The Lit Writer’s and Friends Gala.  And I entered several Ohio Poetry Day contests.  They haven’t announced those yet.
I did win a competition called “Moving Minds” to have one of my poems illustrated and posted on Cleveland RTA busses.  Pretty cool. 
My year of near-misses: fun, but nerve-jangling.

If you could give new writers one piece of advice, what would it be?

Figure out what you want: money or the applause of connoisseurs.  Maybe you can’t have either, but at least you won’t be straddling the fence.
Try not to bore yourself.  Make it fresh.
Write every, every day.  Accept criticism and rejection without killing yourself.  Crying and screaming are okay, killing yourself is going too far.
Read, read, read.  Read quality, read stuff you enjoy, but stretch your tastes.  Join a good book club.  Keep a journal of techniques used by writers you admire.  Read age-old classics; they are around for a reason, and it isn’t to keep English profs in their underpaid and overworked jobs.

Whose books do you look for when shopping for reading material?

Oh, wow.  Cuyahoga County Public Library system is ranked tops in the US, and I have 50 books out now—their limit. 
As well as print, I read audio books while cooking, exercising, or running errands.  I belong to a book club started by Maureen McHugh.  We started by reading only non-genre.  Since Maureen moved to Austin, we cheat and do some SF.
My favorites include James Morrow, Michael Chabon, Joyce Carol Oates, Joe Hill, Toni Morrison, Annie Proulx, Junot D’az, Michael Bishop, Jonathan Lethem, Haruki Murakami, George Saunders, Connie Willis, Gene Wolfe, Joe Haldeman, Nancy Kress, James Patrick Kelly, Kelly Link, Rick Bowes, and yes, Stephen King.  I ration my King because his voice creeps into whatever I’m working on. I’m trying to learn to like Roberto Bola–o.  I try to stretch my tastes, look for something new.
Some newcomers I watch:  William Shunn, Toby Buckell, Ellen Klages (she’s won all sorts of prizes, but she’s only started to take the literary scene by storm), S. Andrew Swann (also not yet broken out—yet), Nnedi Okorafor-Mbachu, Erin O’Brien, Paul Melko, Gavin Grant, Resa Nelson (her The Dragonslayer’s Sword
just came out).  I loved the bits I’ve heard of Charles Oberndorf’s next novel.  John Straley is not a newcomer, but he’s under exposed.  Try The Woman Who Married a Bear
.
Authors I read for pure enjoyment, like feeding a sugar high: James Grippando, PT Deutermann, Harlan Coben, Sara Paretsky, James Lee Burke, Michael Crichton.  Though I learn craft from these writers, they also entertain me while I load the dishwasher or pay bills.  (Ever listen to fiction while paying bills?)
I read the New Yorker, Science News, the Tuesday New York Times science section.  I buy Poetry magazine and other lit zines sporadically.  Right now I’m reading the Rhysling Anthology, Vera Nazarian’s The Duke In His Castle volume 1 of Bleach, Nortin Hadler’s Worried Sick (medical skeptic), Lalita Tademy’s Red River and Inside, Japanese women’s fiction edited by Ruth Ozeki.
Our house is a book-and-magazine mess.  We have thirty magazine subscriptions.  If I can’t find a book under the magazines and fruit bowls, I start another.  I don’t finish a book if I suddenly hate it.  I once stopped reading a bestseller forty pages from the end.

Where can the readers snag a copy of your work?

It’s on Fictionwise.

Not only your Nebula-nominated story, Pride but where are others available in Internetland?

Also on Fictionwise.  Three books are available from Sam’s Dot Publishing and VanZeno Press. Or email me.  My address is on my website.

Do you have a full bibliography of your work?

Um, yeah.  I should really put that on my website.
A couple months ago my husband decided it would be good for my character to maintain my own website.  Unfortunately, my character is crappy.  So, yeah, some evening when I have a lot of time and haven’t spent the day battling robots on the net (the modern version of purgatory), I’ll update that. 

Mary, you’ve already had a successful career in science fiction/fantasy.  What works-in-progress can we scoop?

I have a cats-on-Mars story coming out in Analog: “Steak Tartare and the Cats of Gari Babakin Station.” I’m working on a story about the god of Pachinko.  And I’m working on my Mars colonization novel, Heart’s Journey, Mars Quest

I’ve heard tell that you spent your academic time on Science Fiction pursuits.  Could you tell us about that?

I used science fiction to teach writing and critical thinking. Alas, some girlie girl in the class (sorry to stereotype) would always raise her hand and say “Eeuw.  I hate science fiction.” So I gave students a choice between science fiction and something else.
Interviewing for my first job, I told one hiring committee that I’d love to teach Milton as a fantasy writer.  The chairman of the department got up and walked out of the room. 
But interviewing at Kent State, I noticed a copy of Damnation Alley by Roger Zelazny on Professor Carl Yoke’s office bookshelf.  I asked to see it; it was autographed, and it turned out Carl was Zelazny’s high school best friend and had collaborated with him on some juvenalia.  That was why I took that job.
Though I loved teaching, it wore me out.  One time some research group sent us each a 20-page questionnaire with obscure questions, such as detailing all the courses we had ever taken.  It would have taken entire day to complete.  We were giving exams, so we wrote back as a group and refused.  The researchers actually telephoned and tried to bully us into doing it. 
(Later I wondered if those researchers actually published the results they got from the few under-worked profs they had managed to strong-arm into responding.)
My students were original, bright, innovative, idiosyncratic—several have become college professors and/or nationally recognized authors.  A few were a pain in the neck.  Some were all of the above. 
I wrote, delivered, and published papers on SF and fantasy.  I wrote critical biographies of Anne McCaffrey and Philip Josė Farmer.  Both geniuses were so kind. How did I deserve such generosity from those giants of the field?

Prizes and prestige aside, what is the work that you’re most proud of and what makes it stand out for you?

I have some dark fantasy I’m really happy about: “Bottle Babies,” because Maureen McHugh liked it. “Eat or Be Eaten: A Love Story” because it’s over the top.
But mainly the Mars stories.  I’m inspired by my husband’s research into Mars atmosphere and the feasibility of human Mars exploration.  I’m a member of the Mars Society.  “Steak Tartare” is my current favorite.  I like annoying, edgy women characters, and Lucile infuriates many people. 

What are you trying to accomplish in your writing?  What are you trying to say?

Last month, I went to a wedding at Lily Dale, the spiritualist community, and standing at Inspiration Stump, I realized we’re all looking for meaning.  My search is toward the stars. We’ll find out our place in the universe as we push outward.
I think people should look carefully at the mass hallucinations of our society, such as the necessity of debt and the almost totalitarian medical establishment.  I think people should listen to children more, not because they are right, but because when they hurt, somebody should do something about it.  I believe that the great standardization of our educational system will not necessarily lead to smarter grownups.  I think most women should be more self-confident, and some women should be less so.  I think when we are confronted with a great religious leader with a universal message, we should ask what’s in it for him. 
I think we are “ridden by things” as Thoreau had it, things being pieces of paper and internet forms we have to fill out.  I think it’s sick that we have to pay to watch ads on TV.  I think insurance companies and banks are taking the place of government. I think sugar is a drug. I think Asimov’s laws of robotics were ignored when the Press-One-to-Hear-More-Options machine was invented. 
I think if you ask the right question just about anybody will tell you an interesting story.  I think civilization without art is impossible.  I think music and fiction are spiritual nutrition.  I think movies are getting better and better every year.  I think we are living in the greatest age of storytelling the world has ever known.
I think we are supposed to go to the stars.  (Who decided this?  I don’t know, but I’m all for it.)
I think fiction exists to give delight.  It’s like food and sex, and just as dangerous.
I think I am an opinionated bitch. I don’t know why my husband puts up with me; it must have something to do with cats.
These are the ideas you will find in my fiction.

Mary Turzillo

After a career as a professor of English at Kent State University, Dr. MARY A. TURZILLO is now a full-time writer. In 2000, her story “Mars Is No Place for Children” won SFWA’s Nebula award for best novelette. Her novel An Old-Fashioned Martian Girl was serialized in Analog in July-Nov 2004.

Mary’s Pushcart-nominated collection of poetry, Your Cat & Other Space Aliens, appeared from VanZeno Press in 2007. Her collaborative book of poetry/art, Dragon Soup, written with Marge Simon, appears from VanZeno in 2008.

 

Marva Dasef

Marva Dasef was born in Eugene, Oregon. She graduated from the University of Oregon with a degree in Technical Communications. She spent the next umpteen years working as a technical writer and programmer/analyst. In 2005, she gave up all that glamour for the solitary life of a fiction writer.
She has a series of chapbooks being published by Sam’s Dot Publishing.  The first of the Cadida’s Adventures, Cadida and the Djinn, was released in December 2006.  The second chapbook, Cadida and the Cave Demon, came out in June 2007.  In 2008, all seven of the Cadida tales will be published together in one volume titled “The Seven Adventures of Cadida.” Also in 2008, her science fiction novella, First Duty will be published by by Sam’s Dot Publishing.

Her big project is putting together twenty-some stories based on her father’s boyhood growing up in West Texas, Tales of a Texas Boy

 

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.