Nina Kiriki Hoffman 2009 Interview
Nina Kiriki Hoffman is the winner in the Best Short Story category of the 2008 Nebula Awards for her piece “Trophy Wives.”
Thanks for agreeing to do the interview. Let’s first talk about your story. What was the inspiration for “Trophy Wives?”
Inspiration came from many places. I wrote “Trophy Wives” for an anthology whose theme was fellowship; I wanted to write about women who were friends - that was my starting point.
Some of the story’s details were informed by research I did in the early nineties for my Arabian Nights collaboration with Tad Williams, CHILD OF AN ANCIENT CITY. I read a book called AESTHETICS AND RITUAL IN THE UNITED ARAB EMIRATES: THE ANTHROPOLOGY OF FOOD AND PERSONAL ADORNMENT AMONG ARABIAN WOMEN by Aida S. Kanafani. Lots of fascinating information there.
What I enjoyed about the story was how there was a recurring theme of the trophy wife. What made you tackle this subject matter?
Power dynamics in relationships intrigue me.
What’s the appeal of speculative fiction--whether fantasy, science fiction, or horror--for you?
I like not being limited by consensus reality. Speculative fiction gives me much more room to play.
At what point did you decide you wanted to become a professional writer? When did you consider yourself one?
The turning point for me was attending Clarion in 1982. I’d always liked writing. At Clarion, my instructors told me I was doing good work, and that’s when I decided this was the career for me.
Did winning the Writers of the Future Award aid you in your career?
Sure! The money was the best payment for a short story you could get at the time, outside of selling to PLAYBOY, REDBOOK, or THE NEW YORKER. It was my third or fourth sale, which was very exciting. The contest administrators flew me and all the other winners that first year (1984) to Hollywood for a fabulous awards event, where we got to mingle with Harlan Ellison, Ray Bradbury, and all kinds of other idols and luminaries.
I’ve been a judge for the contest for several years now, and I think the week-long workshop with Tim Powers and K. D. Wentworth is really wonderful for beginning writers (they didn’t start the workshop until a couple years after I won; I envy today’s winners). The Illustrators of the Future workshop with Val and Ron Lindahn is terrific, too. The writers and illustrators who win are wonderful folk from all over the world, and because of their time together at the workshops, they form a network/community that will support them in their careers and friendships for years to come. (It’s a lot easier to stay in touch these days.)
In the Strange Horizons interview, you mentioned that your family is composed of artistic types. How did this help or hinder you?
Our parents supported our artistic endeavors in many ways. Art lessons, music lessons - my mom set up a charge account at a bookstore for me! It had limits, but what a great gift.
We had art supplies (piles of scrap paper recycled from my dad’s work at a think tank) and musical instruments. If we expressed an artistic interest, our parents responded. I took guitar, piano, clarinet, and voice lessons. One of my brothers learned glass blowing. Another had a drum kit in the basement. All of us played some piano and guitar, at least, and many of us have learned to play other instruments. My sister didn’t get in on most of this, but she’s had a career in movie production ever since she moved out of the house.
My brothers and I competed artistically in some arenas - mostly drawing and music. Nobody else was writing stories (though they wrote and still write a lot of music and lyrics), so it felt safe for me to focus there- nobody nipping at my heels.
You have a large body of work across various genres and formats. Do you have a favored format (i.e. short story, novel, etc.) or genre? Is it easy for you switching among them?
I like short stories because they are smaller units, a shorter commitment of time and work. Novels are fun because I get to spend more time with the characters. I tend to write more fantasy than science fiction, because magic seems more malleable than science. I do enjoy switching around.
What’s the biggest challenge you had to overcome in your career so far?
Cancer took me out of the game for a year and a half. Just coming back from that.
As one of the veteran authors in the industry, what are the most significant changes you’ve witnessed in our industry?
The conglomeration of distribution from many to a few, leading to a more homogenized and smaller selection of books in the common outlets (supermarkets, now). Many of the specialty bookstores have gone out of business. They were so wonderful and eclectic, with knowledgeable staff. It’s depressing.
The expansion of online booksellers, and electronic books - things are melty and confusing now, and exciting. You can track down that book you read and loved twenty years ago, which is cool. There’s new room in self-publishing and online publishing for the quirky book. But how do authors get paid? It’s a time of terror and opportunity.
To those unfamiliar with your work, is there a book of yours that you’d recommend to them?
I love them all. If you can find it, SILENT STRENGTH OF STONES is one of my favorites.
What are the projects you’re currently working on?
Right now I’m writing a middle grade book for Sharyn November at Viking. It combines magic and science fiction, big weird families (my specialty) and dimensional portals.
Over the past twenty-some years, Nina Kiriki Hoffman has sold adult and YA novels and more than 250 short stories. Her works have been finalists for the Nebula, World Fantasy, Mythopoeic, Sturgeon, Philip K. Dick, and Endeavour awards. Her first novel won a Stoker award.
Nina’s young adult novel Spirits That Walk in Shadow and short sf novel Catalyst came out in 2006. Fall of Light is due from Ace May 2009.
Nina does production work for the Magazine of Fantasy & Science Fiction and teaches writing through her local community college. She also works with teen writers. She lives in Eugene, Oregon, with several cats and many strange toys.
Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. He is a regular contributor to sites like SFF Audio and Game Cryer. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.



