The Nebula Awards

May 14-16, 2010Cocoa Beach Hilton, Cape Canaveral, Florida

Nominees and Winners

View past nominees and winners of the Nebula Award.

Novels

Virtual library of Nebula and Norton novels at Shelfari.

Pictures

View images from the 2007 Nebula Awards Ceremony.

Links

A list of links to other sites & blogs of interest.

Nnedi Okorafor-Mbachu Interview

Thanks for giving me the opportunity to conduct an interview. First off, this is embarrassing for me but how do you pronounce your name?

No worries. I keep the phonetic spelling of my name on file in my computer for just this question (which I get all the time J): Neh-dee (Nnedi) Oh-core-ra-for (Okorafor) Mm-bah-chew (Mbachu).

Is there a story behind the name Nnedi?

My full name is Nnedimma Nkemdili Okorafor-Mbachu. Imagine if I put that on my books. Talk about scaring people away. Ha ha. “Nnedimma” means “Mother is good.” Nnedi means “Mother is”. Apparently when I was born I came out looking exactly like my grandmother.

What kind of research did you have to do for The Shadow Speaker?

Plenty. But for different things. I did a lot of research on the Sahara Desert, the Wodaabe people of Niger, the Hausa people of Nigeria and Niger, various forms of Islam, the Aïr Mountains, the country of Niger, a lot of scientific stuff (especially for the capture station), etc. I did a lot of scientific research, mainly involving creatures. The many creatures of my stories are usually based on creatures that I’ve personally encountered or that I have read about.

Can you share with us your experience with paralysis?

I’ve always been very athletic. I was always the kid who was chosen first during playground games. Both my parents were athletes, my three siblings were all athletes.

From the age of nine I focused on the sport of tennis. All through grade school and high school, I played semi-pro tennis. I also was exceptionally good in track and field. Up to the age of 19, my life revolved around two things- sports and books (reading them).

Starting at the age of 12, I developed scoliosis that progressively grew worse as I grew up. When I was 19, after my first year of college (I was on the tennis team), I learned I had to have spinal surgery or I’d definitely be severally crippled by the age of 25. There was a one percent chance of paralysis. Which gamble would you make? Yeah, even today, I’d still choose the surgery option.

May 18th. I went into the hospital walking and woke up a day later paralyzed from the waist down. I spent the rest of that summer learning to walk. I returned to school using a cane. It was awful.

However, this incident also made me turn inward for a while. It also forced me to give up sports. Though all my strength remained, I’d lost my agility and my balance was terrible. You can still knock me down pretty easily.

So, I had a tragic sense of loss, hints of rage, a creative mind, and a lot of unspent energy. The conditions were right for the discovery of fiction writing. I discovered it that very semester when, upon a friend’s advice, I took a creative writing class. The rest is history.

Did it have any impact on your writing?

My experience with paralysis IS why I started writing.

One thing I took from the experience was a sense of urgency. I basically had one great talent snatched from me and then another took its place. I remain plagued by a need to write as much as I can before this gift gets snatched from me, too. It’s part of why I write so much and so fast.

Secondly, what I learned from sports, what is a large part of why I was able to walk again, was a very strong sense of discipline. I use that same discipline when I write novels. It’s another reason why I write so fast.

Lastly, being paralyzed forced me to disregard the physical for a while and travel inward. That’s where I found much of the weird stuff you find in my work. That’s where I discovered the storyteller within. Friends of mine say that the whole paralysis thing was fate. Maybe, but it still sucked.

When did you decide to pursue writing seriously?

It was more of a gradual thing. After my first creative writing class, I didn’t stop writing. I just fell in love with it. I started knitting novel and I didn’t even know it. I had no intention of getting published. It was purely for the love of story. I did this type of continual writing for about five years. I wrote three novels. Then somewhere along the line I started getting short stories published. When I wrote my fourth novel, I started thinking about getting it published. I think when I got my first agent, I realized that I was writing seriously.

What is it about fantasy or science fiction that attracted you as a reader? As a writer?

I see the world as a magical place. I believe that was why I was attracted to fantasy and science fiction as both a reader and a writer. This kind of literature also seemed to address issues of otherness in ways that really resonated with me.

You’ve mentioned in an interview that among many things, you’re a horrible speller and didn’t do so well in English. How has this affected your writing or what steps did you take to overcome them?

In high school, my best subjects were math and the sciences, especially geometry, calculus, and biology. I excelled in grammar, too. Plus I had always read voraciously. However, when it came to the subjects of literature and writing, I was pretty bad. Maybe I didn’t have the best teachers or maybe it was all just a matter of time or maybe the books we focused on didn’t spark my interests. I think it was a combination of all these things. Eventually, I got it together by college.

As far as spelling, there’s no hope there. Ha ha. I think it’s genetic. My mom, who has a PhD in health administration and was at the top of her college class, is also a terrible speller. My mom and I also both have weird issues with knowing our left from our right. I have to really think about it. Thank goodness for spell-check.

Can you elaborate on the importance of formal education in your development as a writer?

I learned about structure during my masters and PhD (English with an emphasis on creative writing). Point of view, character development, theme, form, these are what I took from academia when it comes to my writing. Fiction writing requires creativity and no university can teach that. However, it also requires craft, and that a university can teach very very well.

Is incorporating Nigerian elements into your stories a conscious decision on your part or does it fall more along the lines of “write what you know”?

Nigeria and the greater Africa are where my muse resides right now. Maybe someday that will change. I don’t see that being soon. It’s not a conscious choice, it just is what it is.

It’s not always writing what I know. I’ve never been to Niger (where The Shadow Speaker takes place). Well, I’ve flown over it. I’ve written an adult novel that incorporates a mix of Nigerian, Sudanese and Tanzanian magic and culture. I’ve only been to Nigeria.

If I’m doing anything conscious it’s that I’m filling in blanks. I’ve always wanted to read fantasy set in Africa that is about Africa and Africans, that’s set in the now or the future.

Do you foresee yourself as the “next Octavia Butler”?

There will never be another Octavia Butler. grin. But she is a great influence on my own work. She showed me that what I was doing was possible and publishable. I just want to be “Nnedi the Tall Nigerian American Woman who Writes that Weird Stuff”.

Is there a shift for you when writing adult fiction vs. young adult fiction?

I write YA and adult fiction in the same way. I don’t figure out what it is until it’s done.

How about your short fiction vs. your longer fiction?

Usually my short fiction is just the start of my longer fiction. Only once in a while do I really write a short story that is a short story. I have a story in a science fiction anthology called Seeds of Change

What in your opinion are the elements of your writing that distinguishes your young adult from your adult fiction, if any?

When it’s all said and done and I look at my YA and adult work, I see that my adult fiction is significantly darker and far more graphic.

You’ve mentioned that you’re both a feminist and a womanist. Could you define for us what each of them means for you and how they sometimes clash with each other?

To me, to be a feminist is to believe in the equality of men and women, despite differences. It also means that you acknowledge that there is inequality and seek to right that wrong in your own way. So I’m a feminist. Womanism is feminism for people of color, feminism that actively incorporates the complexity of race into the equation. Yeah, I’m that, too.

What was the biggest hurdle you had to overcome in becoming a writer?

My family and, I guess, culture. In my family, and amongst Igbos as a whole, the most respected careers are in medicine and engineering. Writing is a hobby.

I remember my father scoffing at the idea (he was a cardiovascular surgeon and a Chief of Surgery in Chicago). I definitely had to prove myself. So when I decided I was serious, I knew I had to do more than just get published. I had to get a PhD in writing (Nigerians love degrees) and get published by a top publisher, amongst other things.

What projects are you currently working on?

I just sold a YA fantasy novel to Penguin Books titled Sunny and the Leopard People. It’s about a Nigerian albino girl who discovers some serious strangeness in her neighborhood and eventually becomes a part of it. I’ll be editing that soon. And this summer I wrote a sort of part two to the Shadow Speaker tentatively titled Stormbringer. Then there’s also my adult novel, Who Fears Death, that is currently being shopped around.

Nnedi Okorafor-Mbachu

Nnedi Okorafor-Mbachu is the author of The Shadow Speaker (Disney Media Group)and Zahrah the Windseeker (Houghton Mifflin). Her short stories have appeared in numerous anthologies, magazines and journals, the latest being “Spider the Artist” in Seeds of Change (Prime Books). Nnedi is a 2007 NAACP Image Award Nominee and the recipient of several literary awards including the 2008 Macmillan Writer’s Prize for Africa. She is currently a Visiting Professor of Creative Writing at Chicago State University.

Charles Tan is a speculative fiction fan from the Philippines. He has lots of online doppelgangers, including a Singaporean politician and a Filipino basketball player, but people should be warned that the “real” Charles Tan is a bibliophile who stalks his favorite authors. His blog, Bibliophile Stalker is updated with daily content including book reviews, interviews, and essays. He is also a contributor for SFF Audio.


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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.