Richard Bowes 2010 Interview
Richard Bowes is nominated for his novelette “I Needs Must Part, The Policeman Said”.
Hi! Thanks for agreeing to do the interview (again!). Maybe we could focus on your Nebula-nominated story this time. What was the inspiration for the story?
Pretty simple: I got very sick, was sent to the emergency room at St Vincent’s Hospital here in Greenwich Village and got operated on. Just like the story. They brought me a notebook. When I got out I had a whole bunch of notes. The first thing I did was finish the story I’d been working on when I got sick ("The Margay’s Children” coming out later this year in the Datlow/Windling Beastly Bride anthology). Then I wrote “I Needs must Part, the Policeman Said.”
What made you decide to include a character named Richard Bowes in “I Needs Must Part, the Policeman Said”? What are the perils and rewards of using such a technique?
In stories that use a lot of personal material (though a lot of it isn’t autobiographical) it seemed easier to just use my own name rather than invent another persona for the narrator. Perils? I believe the genre has opened up a lot in the years I’ve been writing. Something like this still attracts notice but not condemnation. Rewards? Well, like I said, it’s easier.
Are you a fan of John Dowland’s music? Do you have an internal soundtrack, as it were, when writing?
Just before I got sick I’d been listening to an album of Elizabethan songs. “I Needs Must Part” was on it as was “Flow My Tears” which Philip K. Dick used as a title. I liked INMP a lot more, thought it had a better melody. They brought that CD to me in the hospital as in the story.
I listen to a lot of music. These days a lot of it is classical. But I listen to rock and jazz. I was at a Todd Snider, the country music writer/performer concert last week. For St Patrick’s Day I’m listening to Dubliners albums at the gym.
If there’s a soundtrack it varies.
When I read a Richard Bowes story, they tend to be character-centric. Is this intentional on your part and if so, why go this route?
This is not, I think, a question that would get asked outside our genre. In classic short fiction character development IS the story.
What is it about the novelette format that appeals to you?
Apparently it’s the format/length (7500 to 17,500 words) with which I’m most comfortable. I don’t intentionally write to it but that’s the way the stories turn out. I would note here that the novella format (stories 17,500 to 40,000 words) which some argue is THE best length for speculative fiction - from The Time Machine on. Recently (though to judge by the Nebula short list not this time) the novella has become something of an endangered species. Recently I’ve noticed that a lot of the newer genre short fiction markets concentrate on works of less than 7500 words.
Moving on to your other writing, what’s the update on your novel Dust Devil: A Life in Speculative Fiction?
I’ve now finished all fourteen of the stories that will make up Dust Devil: A Life in Speculative Fiction and am currently getting the project into proper shape to be shown and sold.
All these stories have been sold individually and lots of them have already appeared. “Waiting for the Phone to Ring” is in the current (Mar/April) F&SF. Others are forthcoming in that magazine and the Beastly Bride and Haunted Legends anthologies.
“I Needs Must Part”, is the third of the “Dust Devil” stories to be included on Nebula short lists. “Dust Devil” stories have won World Fantasy, International Horror Guild and Million Writer Awards.
Whenever I crack open the Wilde Stories anthology, your name is in every annual. What compels you to write gay fiction or include gay characters in your stories?
I write what interests me. But I believe if we totaled it up, most of my stories don’t include gay characters. With Wilde Stories I’m fortunate that Steve Berman who edits WS likes my work. Like any short form writer I’m very dependent on editors and in my case I’m very lucky in having Gordon Van Gelder and Ellen Datlow buy my stuff.
What other projects are you currently working on?
Recently I’ve been writing fantasy with gods and goddesses, elves and fairies. Last year I became fascinated by the stories of an English author, Barbara Leonie Picard, who, in the 1940’s and 50’s wrote and published fifty fairy tales. I’ve acquired all of those books from The Mermaid and the Simpleton on to a compilation of her personal favorites Selected Fairy Tales which came out in the 1990’s (this last can still be found used). We shall see what comes of this.
Richard Bowes lives and writes in Manhattan. He has written five novels and two short story collections. Bowes has won two World Fantasy, a Lambda, International Horror Guild, and Million Writers Awards. Forthcoming appearances are in The Magazine of Fantasy and Science Fiction and the Beastly Bride, Haunted Legends, Digital Domains, Wilde Stories and Naked City anthologies.
Most of these stories will be chapters in a novel in progress, Dust Devil: My Life In Speculative Fiction.
Charles A. Tan is the co-editor of the Philippine Speculative Fiction Sampler and his fiction has appeared in publications such as The Digest of Philippine Genre Stories and Philippine Speculative Fiction. He has conducted interviews for The Nebula Awards and The Shirley Jackson Awards, as well as for online magazines such as SF Crowsnest and SFScope. You can visit his blog, Bibliophile Stalker, where he posts book reviews, interviews, and essays.



