The Nebula Awards

June 2-5, 2011Hamilton Crowne Plaza, Washington.

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View past winners of the Nebula Award.

Novels

Virtual library of Nebula and Norton novels at Shelfari.

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View images from the 2009 Nebula Awards Ceremony.

Links

A list of links to other sites & blogs of interest.

Sarah Beth Durst 2010 Interview

Sarah Beth Durst was nominated for the Andre Norton Award for Young Adult Science Fiction and Fantasy for her novel Ice.

Firstly, congratulations on the Andre Norton nomination for Ice! This is not your first appearance on the Andre Norton ballot, with your debut book, Into the Wild, also featuring - does the feeling change with second nomination?

Thanks so much!

Being nominated feels a lot like this:

http://www.youtube.com/watch?v=hUQX2B67KL4

For those of you who didn’t click, that’s the Snoopy Dance of Joy.  smile

Somewhat to my surprise, the second nomination is actually even cooler than the first.  The first one feels like someone you really respect saying, “Ya done good, kid.” But the second one feels like someone you really respect saying, “You’re doing this right.” And I really, really want to be doing this right.  I have wanted to be a writer, specifically a fantasy writer, since I was ten years old, and to be nominated by SFWA for this award for a second book… it means more than I can say.  I’m truly honored.

You are clearly very well acquainted with fairytales, with them featuring strongly in the “Wild” books as well as Ice - what’s the fascination?

I think the words “once upon a time” are some of the most powerful words in the English language.  Right up there with “I love you” and “free ice cream.” Fairy tales have such tremendous power.  They resonate with us on a deeply emotional level—in part because many of us associate them with our childhood and in part because they touch on so many universal themes, such as love, revenge, helplessness, and talking bears.

What can you tell us about the inspiration for Ice?

ICE is a YA fantasy novel set in the present-day Arctic.  It’s about a polar bear, true love, and one girl’s impossible quest across the frozen North. 

The original inspiration was a Norwegian folktale called “East of the Sun and West of the Moon” about a fearless girl who embarks on a quest to save an enchanted prince.  When I sat down to write ICE, I knew I wanted to work with a fairy tale, but I didn’t want one where the girl spends the whole story asleep—or worse, dead—so this tale felt perfect to me.

I then went and changed pretty much everything about it.  smile

It still has a talking polar bear, of course, but he’s a “munaqsri”, a shapeshifter responsible for transporting the souls of the dying into the bodies of the newborn.  And my fearless girl is the daughter of an Arctic research scientist who doesn’t believe in talking bears or souls…

There is quite a lot of detail about the Arctic and the professions of the people living there in Ice. What sort of research did you do for the book?

I love doing research.  Such a great excuse for immersing oneself in other places and other lives.  (And such a great excuse for buying lots of books!) Before writing ICE, I read pretty much every Arctic-related nonfiction book that I could find.  I kind of got a wee bit carried away.  I’m the only person I know who owns a North Slope Barrow dialect Inupiaq-to-English dictionary… smile

Ice, and your forthcoming novel, Enchanted Ivy, are both for an older audience than your “Wild” duology (or are there more to come?). Was writing for the upper end of the young adult stratum a conscious choice you made, or does the story set the rules?

I did make a conscious choice for Cassie in ICE to be 18, for Lily in ENCHANTED IVY to be 16, and for Julie in the Wild books to be 12 years old.  But after that initial choice, the story set the rules. 

I think the important thing is to stay true to your characters, not worry about a specific audience.  The worst thing that a YA writer can do is write down to her readers in a misguided attempt to “write young.” Okay, maybe this isn’t the worst thing.  Writing without verbs would be pretty bad.  And leaving out all vowels, also not good…

6. Ice is identified as a YA novel, but some might argue that an 18 year old protagonist, and the events that happen in the book, might place it on the adult reader spectrum rather than Young Adult. What do you think it is that identifies a story as YA? What do you think it is about Ice that makes it more a YA novel (that can be enjoyed by adults) rather than an adult fantasy (that can be enjoyed by teens)?

A huge theme in YA lit is the coming of age story.  YA novels tend to be about characters, be they cheerleaders or wizards or vampires, who face a pivotal moment wherein they are challenged to redefine themselves, their relationships, and the places they call home.  ICE is a fantasy, an adventure, and a romance.  But at its core, ICE is
about the experience of outgrowing one’s childhood home.  Cassie leaves her beloved research station to save her mother, and she treks across the Arctic to find Bear, but in the end what she discovers is her place in the world, though she had to journey east of the sun and west of the moon to find it.

Does Enchanted Ivy also have a fairytale theme? If not, why the change of focus?

ENCHANTED IVY is a story about getting into college.  You know, taking the campus tour, talking to the gargoyles, flirting with the were-tigers, riding the dragons…

This novel doesn’t draw on any fairy tales, but as you can tell, it is fantasy.  Fairy tales are a wonderful subset of fantasy, but I love the whole genre.  I believe it’s an extremely important type of literature because it’s about empowerment and also about restoring a sense of wonder, two things that I believe people need.

You’ve written a number of essays examining the works of other authors. Does this study of other storytellers’ worlds help with your own writing?

Honestly, the essays were just a great excuse to reread some of my favorite novels.  smile But I do believe that the more you read, the better you’ll write.

Can we look forward to more non-fiction writing from you in the near future?

I don’t have any immediate plans to write more non-fiction, but I’m sure I’ll return to it at some point.  I really had a lot of fun writing those essays for the BenBella anthologies.  Plus Leah Wilson at BenBella is a fantastic editor.

Thank you so much for interviewing me! 




Sarah Beth Durst is the author of Ice (Simon & Schuster, 2009), as well as Into the Wild and its sequel, Out of the Wild (Penguin, 2007 & 2008).  She has been writing fantasy stories since she was ten years old and holds an English degree from Princeton University.  Sarah lives in Stony Brook, New York, with her husband, her children, and her ill-mannered cat.  She also has a miniature pet griffin named Alfred.  Okay, okay, that’s not quite true.  His name is really Montgomery.  For more information, visit her at www.sarahbethdurst.com.



Tehani Wessely was a founding member of Andromeda Spaceways Inflight Magazine in 2001. Now firmly entrenched in Australian speculative fiction and small press, she has edited for Twelfth Planet Press (among other duties), judges for the Aurealis Awards, reads far more in one genre than is healthy, and writes reviews, non-fiction and interviews for ASif!, Fiction Focus and Magpies. In her spare moments, she works as a Teacher Librarian and enjoys her husband and three children.

Tehani is the editor of ASIM #4, #16, #27, #31 and #37, three Best Of ASIM e-anthologies, co-editor of ASIM #36, the Twelfth Planet Press anthology New Ceres Nights and other projects. She is currently working on an anthology of children’s stories titled Worlds Next Door, and a reprint anthology of Australian alternate mythologies from her own press, FableCroft Publishing.

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The Windup Girl by Paolo Bacigalupi

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man" ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these poignant questions.

About the Author

Paolo Bacigalupi’s writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. It has been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for a Nebula and four Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year.

The Love We Share Without Knowing by Christopher Barzak

In this haunting, richly woven novel of modern life in Japan, the author of the acclaimed debut One for Sorrow explores the ties that bind humanity across the deepest divides. Here is a Murakamiesque jewel box of intertwined narratives in which the lives of several strangers are gently linked through love, loss, and fate.

On a train filled with quietly sleeping passengers, a young man’s life is forever altered when he is miraculously seen by a blind man. In a quiet town an American teacher who has lost her Japanese lover to death begins to lose her own self. On a remote road amid fallow rice fields, four young friends carefully take their own lives—and in that moment they become almost as one. In a small village a disaffected American teenager stranded in a strange land discovers compassion after an encounter with an enigmatic red fox, and in Tokyo a girl named Love learns the deepest lessons about its true meaning from a coma patient lost in dreams of an affair gone wrong.

From the neon colors of Tokyo, with its game centers and karaoke bars, to the bamboo groves and hidden shrines of the countryside, these souls and others mingle, revealing a profound tale of connection—uncovering the love we share without knowing.

Exquisitely perceptive and deeply affecting, Barzak’s artful storytelling deftly illuminates the inner lives of those attempting to find—or lose—themselves in an often incomprehensible world.

About the Author

Christopher Barzak grew up in rural Ohio, went to university in a decaying post-industrial city in Ohio, and has lived in a Southern California beach town, the capital of Michigan, and in the suburbs of Tokyo, Japan, where he taught English in rural junior high and elementary schools. His stories have appeared in a many venues, including Nerve.com, The Year’s Best Fantasy and Horror, Strange Horizons, Salon Fantastique, Interfictions, Asimov’s, and Lady Churchill’s Rosebud Wristlet. His first novel, One for Sorrow, was published by Bantam Books in Fall of 2007, and won the Crawford Award that same year. He is the co-editor (with Delia Sherman) of Interfictions 2, and has done Japanese-English translation on Kant: For Eternal Peace, a peace theory book published in Japan for Japanese teens. Currently he lives in Youngstown, Ohio, where he teaches writing at Youngstown State University.

Flesh and Fire by Laura Anne Gilman

Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power.

But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed.

In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.

About the Author

Born in the late 1960’s in suburban New Jersey, Laura Anne endured only moderate trauma - and some good times - before escaping to Skidmore College. After graduation, given the choice between grad school and employment, the lure of a paycheck took her to NYC and a career in publishing, while working nights and weekends to get her writing career started. In 2004, she and corporate America decided they needed a break from each other. Her first original novel contract in-hand, Laura Anne became a full-time freelancer, and never looked back. She is the author of the Cosa Nostradamus books for Luna (the “Retrievers” and “Paranormal Scene Investigations” series), a YA trilogy for HarperCollins, and the forthcoming Vineart War books from Pocket, while continuing to write and sell short fiction. She also writes paranormal romances for Nocturne as Anna Leonard. Laura Anne is also an amateur chef, oenophile, and cat-servant. She lives in New York City, where she also runs d.y.m.k. productions.

The City & The City by China Miéville

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

About the Author

China Miéville is the author of King Rat; Perdido Street Station, winner of the Arthur C. Clarke Award and the British Fantasy Award; The Scar, winner of the Locus Award and the British Fantasy Award; Iron Council, winner of the Locus Award and the Arthur C. Clarke Award; Looking for Jake, a collection of short stories; and Un Lun Dun, his New York Times bestselling book for younger readers. He lives and works in London.

Boneshaker by Cherie Priest

In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.

Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.

His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

About the Author

Cherie Priest made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds. She lives in Seattle, Washington, and keeps a popular blog at cmpriest.livejournal.com.

Finch by Jeff VanderMeer

Tasked with solving an impossible double murder, detective John Finch searches for the truth among the rubble of the once-mighty city of Ambergris. Under the rule of the mysterious gray caps, Ambergris is falling into anarchy. The remnants of a rebel force are demoralized and dispersed, their leader, the Lady in Blue, not seen for months. Partials—human traitors transformed by the gray caps—walk the streets brutalizing the city’s inhabitants. Finch’s partner Wyte, stricken with a fungal disease, is literally disintegrating. And strange forces are marshaling themselves against detective Finch even as he pursues his one clue: the elusive spymaster Ethan Bliss. How much time does Finch have before time itself runs out?

About the Author

Award-winning writer Jeff VanderMeer's final novel in his Ambergris Cycle, Finch, has just been published in the US, and will appear in the UK from Atlantic's Corvus imprint. His writer guide Booklife and associated Booklifenow website focus on sustainable creativity. With his wife, he recently edited the charity anthology Last Drink Bird Head. His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others. Murder by Death recently completed a CD soundtrack based on Finch./.