Sarah Beth Durst 2010 Interview
Sarah Beth Durst was nominated for the Andre Norton Award for Young Adult Science Fiction and Fantasy for her novel Ice.
Firstly, congratulations on the Andre Norton nomination for Ice! This is not your first appearance on the Andre Norton ballot, with your debut book, Into the Wild, also featuring - does the feeling change with second nomination?
Thanks so much!
Being nominated feels a lot like this:
http://www.youtube.com/watch?v=hUQX2B67KL4
For those of you who didn’t click, that’s the Snoopy Dance of Joy.
Somewhat to my surprise, the second nomination is actually even cooler than the first. The first one feels like someone you really respect saying, “Ya done good, kid.” But the second one feels like someone you really respect saying, “You’re doing this right.” And I really, really want to be doing this right. I have wanted to be a writer, specifically a fantasy writer, since I was ten years old, and to be nominated by SFWA for this award for a second book… it means more than I can say. I’m truly honored.
You are clearly very well acquainted with fairytales, with them featuring strongly in the “Wild” books as well as Ice - what’s the fascination?
I think the words “once upon a time” are some of the most powerful words in the English language. Right up there with “I love you” and “free ice cream.” Fairy tales have such tremendous power. They resonate with us on a deeply emotional level—in part because many of us associate them with our childhood and in part because they touch on so many universal themes, such as love, revenge, helplessness, and talking bears.
What can you tell us about the inspiration for Ice?
ICE is a YA fantasy novel set in the present-day Arctic. It’s about a polar bear, true love, and one girl’s impossible quest across the frozen North.
The original inspiration was a Norwegian folktale called “East of the Sun and West of the Moon” about a fearless girl who embarks on a quest to save an enchanted prince. When I sat down to write ICE, I knew I wanted to work with a fairy tale, but I didn’t want one where the girl spends the whole story asleep—or worse, dead—so this tale felt perfect to me.
I then went and changed pretty much everything about it.
It still has a talking polar bear, of course, but he’s a “munaqsri”, a shapeshifter responsible for transporting the souls of the dying into the bodies of the newborn. And my fearless girl is the daughter of an Arctic research scientist who doesn’t believe in talking bears or souls…
There is quite a lot of detail about the Arctic and the professions of the people living there in Ice. What sort of research did you do for the book?
I love doing research. Such a great excuse for immersing oneself in other places and other lives. (And such a great excuse for buying lots of books!) Before writing ICE, I read pretty much every Arctic-related nonfiction book that I could find. I kind of got a wee bit carried away. I’m the only person I know who owns a North Slope Barrow dialect Inupiaq-to-English dictionary…
Ice, and your forthcoming novel, Enchanted Ivy, are both for an older audience than your “Wild” duology (or are there more to come?). Was writing for the upper end of the young adult stratum a conscious choice you made, or does the story set the rules?
I did make a conscious choice for Cassie in ICE to be 18, for Lily in ENCHANTED IVY to be 16, and for Julie in the Wild books to be 12 years old. But after that initial choice, the story set the rules.
I think the important thing is to stay true to your characters, not worry about a specific audience. The worst thing that a YA writer can do is write down to her readers in a misguided attempt to “write young.” Okay, maybe this isn’t the worst thing. Writing without verbs would be pretty bad. And leaving out all vowels, also not good…
6. Ice is identified as a YA novel, but some might argue that an 18 year old protagonist, and the events that happen in the book, might place it on the adult reader spectrum rather than Young Adult. What do you think it is that identifies a story as YA? What do you think it is about Ice that makes it more a YA novel (that can be enjoyed by adults) rather than an adult fantasy (that can be enjoyed by teens)?
A huge theme in YA lit is the coming of age story. YA novels tend to be about characters, be they cheerleaders or wizards or vampires, who face a pivotal moment wherein they are challenged to redefine themselves, their relationships, and the places they call home. ICE is a fantasy, an adventure, and a romance. But at its core, ICE is
about the experience of outgrowing one’s childhood home. Cassie leaves her beloved research station to save her mother, and she treks across the Arctic to find Bear, but in the end what she discovers is her place in the world, though she had to journey east of the sun and west of the moon to find it.
Does Enchanted Ivy also have a fairytale theme? If not, why the change of focus?
ENCHANTED IVY is a story about getting into college. You know, taking the campus tour, talking to the gargoyles, flirting with the were-tigers, riding the dragons…
This novel doesn’t draw on any fairy tales, but as you can tell, it is fantasy. Fairy tales are a wonderful subset of fantasy, but I love the whole genre. I believe it’s an extremely important type of literature because it’s about empowerment and also about restoring a sense of wonder, two things that I believe people need.
You’ve written a number of essays examining the works of other authors. Does this study of other storytellers’ worlds help with your own writing?
Honestly, the essays were just a great excuse to reread some of my favorite novels.
But I do believe that the more you read, the better you’ll write.
Can we look forward to more non-fiction writing from you in the near future?
I don’t have any immediate plans to write more non-fiction, but I’m sure I’ll return to it at some point. I really had a lot of fun writing those essays for the BenBella anthologies. Plus Leah Wilson at BenBella is a fantastic editor.
Thank you so much for interviewing me!
Sarah Beth Durst is the author of Ice (Simon & Schuster, 2009), as well as Into the Wild and its sequel, Out of the Wild (Penguin, 2007 & 2008). She has been writing fantasy stories since she was ten years old and holds an English degree from Princeton University. Sarah lives in Stony Brook, New York, with her husband, her children, and her ill-mannered cat. She also has a miniature pet griffin named Alfred. Okay, okay, that’s not quite true. His name is really Montgomery. For more information, visit her at www.sarahbethdurst.com.
Tehani Wessely was a founding member of Andromeda Spaceways Inflight Magazine in 2001. Now firmly entrenched in Australian speculative fiction and small press, she has edited for Twelfth Planet Press (among other duties), judges for the Aurealis Awards, reads far more in one genre than is healthy, and writes reviews, non-fiction and interviews for ASif!, Fiction Focus and Magpies. In her spare moments, she works as a Teacher Librarian and enjoys her husband and three children.
Tehani is the editor of ASIM #4, #16, #27, #31 and #37, three Best Of ASIM e-anthologies, co-editor of ASIM #36, the Twelfth Planet Press anthology New Ceres Nights and other projects. She is currently working on an anthology of children’s stories titled Worlds Next Door, and a reprint anthology of Australian alternate mythologies from her own press, FableCroft Publishing.



